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	<channel>
		<title><![CDATA[CuteDigi: Latest News]]></title>
		<link>https://cutedigi.com</link>
		<description><![CDATA[The latest news from CuteDigi.]]></description>
		<pubDate>Thu, 09 Apr 2026 03:30:29 +0000</pubDate>
		<isc:store_title><![CDATA[CuteDigi]]></isc:store_title>
		<item>
			<title><![CDATA[Use HDMI USB Capture Card with OBS Software ]]></title>
			<link>https://cutedigi.com/blog/use-hdmi-usb-capture-card-with-obs-software-/</link>
			<pubDate>Sat, 29 Mar 2025 22:09:37 +0000</pubDate>
			<guid isPermaLink="false">https://cutedigi.com/blog/use-hdmi-usb-capture-card-with-obs-software-/</guid>
			<description><![CDATA[<p><strong>Connection and Operation</strong></p>
<p>&nbsp;</p>
<p>1: Connect the UHD signal source to the HDMI input of the video capture with&nbsp;one HDMI cable.<br />2: Connect the computer to the Type-c/usb port of the video capture with Type-c/usb cable.<br />3: Operation steps for USB video capture(OBS): Open the software &rarr; Choose sources of&nbsp;&ldquo;Video capture Device&rdquo;&rarr;Set the size of image&rarr;Choose &ldquo;Studio Mode&rdquo;(double window)&nbsp;&rarr;Choose &ldquo;Start Recording&rdquo;.</p>
<p><br /><strong>Operation Example as below</strong></p>
<p>&nbsp;</p>
<p class="p1">1. Add new sources, choose &ldquo; Video Capture Device &rdquo;/ &ldquo;Audio Input Capture&rdquo;</p>
<p class="p1"><img class="__mce_add_custom__" title="screenshot-2025-03-30-at-10.54.55-am.png" src="https://cutedigi.com/product_images/uploaded_images/screenshot-2025-03-30-at-10.54.55-am.png" alt="screenshot-2025-03-30-at-10.54.55-am.png" /></p>
<p class="p1"><img class="__mce_add_custom__" title="screenshot-2025-03-30-at-10.56.56-am.png" src="https://cutedigi.com/product_images/uploaded_images/screenshot-2025-03-30-at-10.56.56-am.png" alt="screenshot-2025-03-30-at-10.56.56-am.png" width="1778" height="872" /></p>
<p class="p1">2.&nbsp;&nbsp;Set the size of the image.</p>
<p class="p1">&nbsp;</p>
<p class="p1"><img class="__mce_add_custom__" title="screenshot-2025-03-30-at-10.57.45-am.png" src="https://cutedigi.com/product_images/uploaded_images/screenshot-2025-03-30-at-10.57.45-am.png" alt="screenshot-2025-03-30-at-10.57.45-am.png" width="1734" height="930" /></p>
<p class="p1">&nbsp;</p>
<p class="p1">3. Choose &ldquo;Studio Mode&rdquo;(double window).</p>
<p class="p1">&nbsp;</p>
<p class="p1"><img class="__mce_add_custom__" title="screenshot-2025-03-30-at-10.59.15-am.png" src="https://cutedigi.com/product_images/uploaded_images/screenshot-2025-03-30-at-10.59.15-am.png" alt="screenshot-2025-03-30-at-10.59.15-am.png" width="1772" height="774" /></p>
<p class="p1">&nbsp;</p>
<p class="p1">4. Click &ldquo; Start Recording&rdquo;</p>
<p class="p1">&nbsp;</p>
<p class="p1"><img class="__mce_add_custom__" title="screenshot-2025-03-30-at-11.00.05-am.png" src="https://cutedigi.com/product_images/uploaded_images/screenshot-2025-03-30-at-11.00.05-am.png" alt="screenshot-2025-03-30-at-11.00.05-am.png" width="1792" height="790" /></p>
<p class="p1">&nbsp;</p>
<p class="p1">&nbsp;</p>
<p class="p1">Note:</p>
<p class="p1">Computer hardware configuration requirements</p>
<ul>
<li>CPU: PC i5-3400 or above <span class="s1">；</span>NB i7-3537U 2.0GHZ or above</li>
<li>Graphics card: PC NVIDIA GT630 or above<span class="s1">；</span>NC NVIDIA GT735M or above</li>
<li>Run memory: 4G RAM</li>
</ul>]]></description>
			<content:encoded><![CDATA[<p><strong>Connection and Operation</strong></p>
<p>&nbsp;</p>
<p>1: Connect the UHD signal source to the HDMI input of the video capture with&nbsp;one HDMI cable.<br />2: Connect the computer to the Type-c/usb port of the video capture with Type-c/usb cable.<br />3: Operation steps for USB video capture(OBS): Open the software &rarr; Choose sources of&nbsp;&ldquo;Video capture Device&rdquo;&rarr;Set the size of image&rarr;Choose &ldquo;Studio Mode&rdquo;(double window)&nbsp;&rarr;Choose &ldquo;Start Recording&rdquo;.</p>
<p><br /><strong>Operation Example as below</strong></p>
<p>&nbsp;</p>
<p class="p1">1. Add new sources, choose &ldquo; Video Capture Device &rdquo;/ &ldquo;Audio Input Capture&rdquo;</p>
<p class="p1"><img class="__mce_add_custom__" title="screenshot-2025-03-30-at-10.54.55-am.png" src="https://cutedigi.com/product_images/uploaded_images/screenshot-2025-03-30-at-10.54.55-am.png" alt="screenshot-2025-03-30-at-10.54.55-am.png" /></p>
<p class="p1"><img class="__mce_add_custom__" title="screenshot-2025-03-30-at-10.56.56-am.png" src="https://cutedigi.com/product_images/uploaded_images/screenshot-2025-03-30-at-10.56.56-am.png" alt="screenshot-2025-03-30-at-10.56.56-am.png" width="1778" height="872" /></p>
<p class="p1">2.&nbsp;&nbsp;Set the size of the image.</p>
<p class="p1">&nbsp;</p>
<p class="p1"><img class="__mce_add_custom__" title="screenshot-2025-03-30-at-10.57.45-am.png" src="https://cutedigi.com/product_images/uploaded_images/screenshot-2025-03-30-at-10.57.45-am.png" alt="screenshot-2025-03-30-at-10.57.45-am.png" width="1734" height="930" /></p>
<p class="p1">&nbsp;</p>
<p class="p1">3. Choose &ldquo;Studio Mode&rdquo;(double window).</p>
<p class="p1">&nbsp;</p>
<p class="p1"><img class="__mce_add_custom__" title="screenshot-2025-03-30-at-10.59.15-am.png" src="https://cutedigi.com/product_images/uploaded_images/screenshot-2025-03-30-at-10.59.15-am.png" alt="screenshot-2025-03-30-at-10.59.15-am.png" width="1772" height="774" /></p>
<p class="p1">&nbsp;</p>
<p class="p1">4. Click &ldquo; Start Recording&rdquo;</p>
<p class="p1">&nbsp;</p>
<p class="p1"><img class="__mce_add_custom__" title="screenshot-2025-03-30-at-11.00.05-am.png" src="https://cutedigi.com/product_images/uploaded_images/screenshot-2025-03-30-at-11.00.05-am.png" alt="screenshot-2025-03-30-at-11.00.05-am.png" width="1792" height="790" /></p>
<p class="p1">&nbsp;</p>
<p class="p1">&nbsp;</p>
<p class="p1">Note:</p>
<p class="p1">Computer hardware configuration requirements</p>
<ul>
<li>CPU: PC i5-3400 or above <span class="s1">；</span>NB i7-3537U 2.0GHZ or above</li>
<li>Graphics card: PC NVIDIA GT630 or above<span class="s1">；</span>NC NVIDIA GT735M or above</li>
<li>Run memory: 4G RAM</li>
</ul>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Understanding HDMI Video Capture Formats: RGB, YUY2, and MJPEG]]></title>
			<link>https://cutedigi.com/blog/understanding-hdmi-video-capture-formats-rgb-yuy2-and-mjpeg/</link>
			<pubDate>Sat, 29 Mar 2025 21:48:13 +0000</pubDate>
			<guid isPermaLink="false">https://cutedigi.com/blog/understanding-hdmi-video-capture-formats-rgb-yuy2-and-mjpeg/</guid>
			<description><![CDATA[<p data-start="0" data-end="376">HDMI video capture cards are essential tools for digitizing video signals from various sources like gaming consoles, cameras, and computers. They support multiple video formats, with <strong data-start="183" data-end="190">RGB</strong>, <strong data-start="192" data-end="200">YUY2</strong>, and <strong data-start="206" data-end="215">MJPEG</strong> being among the most common. Understanding the differences between these formats is crucial for selecting the right capture card that meets your specific needs.</p>
<hr data-start="378" data-end="381" />
<h2 data-start="383" data-end="403"><strong data-start="386" data-end="403">1. RGB Format</strong></h2>
<h3 data-start="405" data-end="423"><strong data-start="409" data-end="423">Definition</strong></h3>
<p data-start="424" data-end="709">RGB is an <strong data-start="434" data-end="463">uncompressed video format</strong> that represents images using the three primary colors: Red, Green, and Blue. Each color channel typically occupies 8 bits, resulting in a total of 24 bits per pixel. This format delivers <strong data-start="651" data-end="675">high-quality visuals</strong> with accurate color reproduction.</p>
<h3 data-start="711" data-end="735"><strong data-start="715" data-end="735">Data Arrangement</strong></h3>
<p data-start="736" data-end="808">In the RGB format, each pixel is represented by three consecutive bytes:</p>
<ul data-start="809" data-end="853">
<li data-start="809" data-end="822">
<p data-start="811" data-end="822"><strong data-start="811" data-end="822">R (Red)</strong></p>
</li>
<li data-start="823" data-end="838">
<p data-start="825" data-end="838"><strong data-start="825" data-end="838">G (Green)</strong></p>
</li>
<li data-start="839" data-end="853">
<p data-start="841" data-end="853"><strong data-start="841" data-end="853">B (Blue)</strong></p>
</li>
</ul>
<p data-start="855" data-end="895">For example, a pixel might be stored as:</p>
<div class="contain-inline-size rounded-md border-[0.5px&91; border-token-border-medium relative bg-token-sidebar-surface-primary">
<div class="flex items-center text-token-text-secondary px-4 py-2 text-xs font-sans justify-between h-9 bg-token-sidebar-surface-primary dark:bg-token-main-surface-secondary select-none rounded-t-[5px&91;">nginx</div>
<div class="sticky top-9">
<div class="absolute bottom-0 right-0 flex h-9 items-center pr-2">
<div class="flex items-center rounded bg-token-sidebar-surface-primary px-2 font-sans text-xs text-token-text-secondary dark:bg-token-main-surface-secondary"><span data-state="closed"><button class="flex gap-1 items-center select-none px-4 py-1">Copy</button></span><span data-state="closed"><button class="flex select-none items-center gap-1 px-4 py-1">Edit</button></span></div>
</div>
</div>
<div class="overflow-y-auto p-4" dir="ltr"><code class="!whitespace-pre"><span class="hljs-attribute">R1</span> G1 B1 R2 G2 B2 ... </code></div>
</div>
<p data-start="931" data-end="1009">This structure ensures that each pixel has its own distinct color information.</p>
<h3 data-start="1011" data-end="1029"><strong data-start="1015" data-end="1029">Advantages</strong></h3>
<ul data-start="1030" data-end="1319">
<li data-start="1030" data-end="1198">
<p data-start="1032" data-end="1198"><strong data-start="1032" data-end="1058">Superior Image Quality</strong>: Being uncompressed, RGB offers <strong data-start="1091" data-end="1117">lossless image quality</strong>, making it ideal for professional applications requiring precise color accuracy.</p>
</li>
<li data-start="1199" data-end="1319">
<p data-start="1201" data-end="1319"><strong data-start="1201" data-end="1227">Full Color Information</strong>: Each pixel retains complete color data, facilitating detailed post-processing and editing.</p>
</li>
</ul>
<h3 data-start="1321" data-end="1342"><strong data-start="1325" data-end="1342">Disadvantages</strong></h3>
<ul data-start="1343" data-end="1721">
<li data-start="1343" data-end="1551">
<p data-start="1345" data-end="1551"><strong data-start="1345" data-end="1364">Large Data Size</strong>: RGB files are substantial, demanding significant storage space and bandwidth. For instance, a 1920x1080 resolution image at 24 bits per pixel results in approximately 6.22 MB per frame.</p>
</li>
<li data-start="1552" data-end="1721">
<p data-start="1554" data-end="1721"><strong data-start="1554" data-end="1585">High Bandwidth Requirements</strong>: Transmitting uncompressed RGB video necessitates high-speed interfaces like <strong data-start="1663" data-end="1684">USB 3.0 or higher</strong> to handle the data flow efficiently.</p>
</li>
</ul>
<hr data-start="1723" data-end="1726" />
<h2 data-start="1728" data-end="1749"><strong data-start="1731" data-end="1749">2. YUY2 Format</strong></h2>
<h3 data-start="1751" data-end="1769"><strong data-start="1755" data-end="1769">Definition</strong></h3>
<p data-start="1770" data-end="2030">YUY2 is a <strong data-start="1780" data-end="1812">semi-compressed video format</strong> that employs <strong data-start="1826" data-end="1848">chroma subsampling</strong> to reduce data size while maintaining reasonable image quality. It represents images in the <strong data-start="1941" data-end="1960">YUV color space</strong>, which separates luminance (Y) from chrominance (U and V) components.</p>
<h3 data-start="2032" data-end="2056"><strong data-start="2036" data-end="2056">Data Arrangement</strong></h3>
<p data-start="2057" data-end="2104">In YUY2, every four bytes represent two pixels:</p>
<div class="contain-inline-size rounded-md border-[0.5px&91; border-token-border-medium relative bg-token-sidebar-surface-primary">
<div class="flex items-center text-token-text-secondary px-4 py-2 text-xs font-sans justify-between h-9 bg-token-sidebar-surface-primary dark:bg-token-main-surface-secondary select-none rounded-t-[5px&91;">nginx</div>
<div class="sticky top-9">
<div class="absolute bottom-0 right-0 flex h-9 items-center pr-2">
<div class="flex items-center rounded bg-token-sidebar-surface-primary px-2 font-sans text-xs text-token-text-secondary dark:bg-token-main-surface-secondary"><span data-state="closed"><button class="flex gap-1 items-center select-none px-4 py-1">Copy</button></span><span data-state="closed"><button class="flex select-none items-center gap-1 px-4 py-1">Edit</button></span></div>
</div>
</div>
<div class="overflow-y-auto p-4" dir="ltr"><code class="!whitespace-pre"><span class="hljs-attribute">Y1</span> U Y2 V Y3 U Y4 V ... </code></div>
</div>
<p data-start="2142" data-end="2147">Here:</p>
<ul data-start="2148" data-end="2257">
<li data-start="2148" data-end="2192">
<p data-start="2150" data-end="2192"><strong data-start="2150" data-end="2155">Y</strong>: Luminance component for each pixel.</p>
</li>
<li data-start="2193" data-end="2257">
<p data-start="2195" data-end="2257"><strong data-start="2195" data-end="2206">U and V</strong>: Chrominance components shared between two pixels.</p>
</li>
</ul>
<p data-start="2259" data-end="2378">This 4:2:2 chroma subsampling reduces color data by half compared to RGB, effectively decreasing the overall data size.</p>
<h3 data-start="2380" data-end="2398"><strong data-start="2384" data-end="2398">Advantages</strong></h3>
<ul data-start="2399" data-end="2721">
<li data-start="2399" data-end="2555">
<p data-start="2401" data-end="2555"><strong data-start="2401" data-end="2422">Reduced Data Size</strong>: By sharing chrominance information between pixels, YUY2 lowers data rates compared to RGB, easing storage and transmission demands.</p>
</li>
<li data-start="2556" data-end="2721">
<p data-start="2558" data-end="2721"><strong data-start="2558" data-end="2578">Balanced Quality</strong>: Offers a compromise between uncompressed quality and manageable file sizes, making it suitable for live streaming and real-time applications.</p>
</li>
</ul>
<h3 data-start="2723" data-end="2744"><strong data-start="2727" data-end="2744">Disadvantages</strong></h3>
<ul data-start="2745" data-end="3070">
<li data-start="2745" data-end="2881">
<p data-start="2747" data-end="2881"><strong data-start="2747" data-end="2770">Color Accuracy Loss</strong>: Chroma subsampling can lead to slight color inaccuracies, particularly in areas with sharp color transitions.</p>
</li>
<li data-start="2882" data-end="3070">
<p data-start="2884" data-end="3070"><strong data-start="2884" data-end="2919">Moderate Bandwidth Requirements</strong>: While less demanding than RGB, YUY2 still requires a <strong data-start="2974" data-end="2995">USB 3.0 interface</strong> for optimal performance, especially at higher resolutions and frame rates.</p>
</li>
</ul>
<hr data-start="3072" data-end="3075" />
<h2 data-start="3077" data-end="3099"><strong data-start="3080" data-end="3099">3. MJPEG Format</strong></h2>
<h3 data-start="3101" data-end="3119"><strong data-start="3105" data-end="3119">Definition</strong></h3>
<p data-start="3120" data-end="3338">MJPEG (Motion JPEG) is a <strong data-start="3145" data-end="3172">compressed video format</strong> where each frame is individually compressed as a JPEG image. This approach allows for significant reduction in data size while maintaining acceptable visual quality.</p>
<h3 data-start="3340" data-end="3364"><strong data-start="3344" data-end="3364">Data Arrangement</strong></h3>
<p data-start="3365" data-end="3441">In MJPEG, the video stream consists of a sequence of JPEG-compressed frames:</p>
<div class="contain-inline-size rounded-md border-[0.5px&91; border-token-border-medium relative bg-token-sidebar-surface-primary">
<div class="flex items-center text-token-text-secondary px-4 py-2 text-xs font-sans justify-between h-9 bg-token-sidebar-surface-primary dark:bg-token-main-surface-secondary select-none rounded-t-[5px&91;">css</div>
<div class="sticky top-9">
<div class="absolute bottom-0 right-0 flex h-9 items-center pr-2">
<div class="flex items-center rounded bg-token-sidebar-surface-primary px-2 font-sans text-xs text-token-text-secondary dark:bg-token-main-surface-secondary"><span data-state="closed"><button class="flex gap-1 items-center select-none px-4 py-1">Copy</button></span><span data-state="closed"><button class="flex select-none items-center gap-1 px-4 py-1">Edit</button></span></div>
</div>
</div>
<div class="overflow-y-auto p-4" dir="ltr"><code class="!whitespace-pre"><span class="hljs-selector-attr">[JPEG Frame 1&91;</span> <span class="hljs-selector-attr">[JPEG Frame 2&91;</span> <span class="hljs-selector-attr">[JPEG Frame 3&91;</span> ... </code></div>
</div>
<p data-start="3500" data-end="3577">Each frame is compressed independently, without reference to adjacent frames.</p>
<h3 data-start="3579" data-end="3597"><strong data-start="3583" data-end="3597">Advantages</strong></h3>
<ul data-start="3598" data-end="3841">
<li data-start="3598" data-end="3734">
<p data-start="3600" data-end="3734"><strong data-start="3600" data-end="3625">Efficient Compression</strong>: MJPEG significantly reduces file sizes, making it ideal for applications with limited storage or bandwidth.</p>
</li>
<li data-start="3735" data-end="3841">
<p data-start="3737" data-end="3841"><strong data-start="3737" data-end="3754">Compatibility</strong>: Widely supported across various platforms and software, ensuring broad compatibility.</p>
</li>
</ul>
<h3 data-start="3843" data-end="3864"><strong data-start="3847" data-end="3864">Disadvantages</strong></h3>
<ul data-start="3865" data-end="4156">
<li data-start="3865" data-end="4026">
<p data-start="3867" data-end="4026"><strong data-start="3867" data-end="3888">Lossy Compression</strong>: The compression process can introduce artifacts and degrade image quality, particularly in scenes with rapid motion or complex textures.</p>
</li>
<li data-start="4027" data-end="4156">
<p data-start="4029" data-end="4156"><strong data-start="4029" data-end="4049">Variable Quality</strong>: Image quality depends on the compression ratio; higher compression leads to more noticeable quality loss.</p>
</li>
</ul>
<hr data-start="4158" data-end="4161" />
<h2 data-start="4163" data-end="4193"><strong data-start="4166" data-end="4193">4. Comparative Analysis</strong></h2>
<div class="overflow-x-auto contain-inline-size">
<table data-start="4195" data-end="4906">
<thead data-start="4195" data-end="4288">
<tr data-start="4195" data-end="4288"><th data-start="4195" data-end="4215">Feature</th><th data-start="4215" data-end="4239"><strong data-start="4217" data-end="4224">RGB</strong></th><th data-start="4239" data-end="4263"><strong data-start="4241" data-end="4249">YUY2</strong></th><th data-start="4263" data-end="4288"><strong data-start="4265" data-end="4274">MJPEG</strong></th></tr>
</thead>
<tbody data-start="4383" data-end="4906">
<tr data-start="4383" data-end="4476">
<td><strong data-start="4385" data-end="4400">Compression</strong></td>
<td>None (Uncompressed)</td>
<td>Chroma Subsampling</td>
<td>Lossy Compression</td>
</tr>
<tr data-start="4477" data-end="4570">
<td><strong data-start="4479" data-end="4496">Image Quality</strong></td>
<td>Excellent</td>
<td>Good</td>
<td>Variable</td>
</tr>
<tr data-start="4571" data-end="4664">
<td><strong data-start="4573" data-end="4586">Data Size</strong></td>
<td>Very Large</td>
<td>Moderate</td>
<td>Small</td>
</tr>
<tr data-start="4665" data-end="4758">
<td><strong data-start="4667" data-end="4680">Bandwidth</strong></td>
<td>High</td>
<td>Moderate</td>
<td>Low</td>
</tr>
<tr data-start="4759" data-end="4906">
<td><strong data-start="4761" data-end="4774">Use Cases</strong></td>
<td>Professional Editing, High-End Streaming</td>
<td>Live Streaming, General Recording</td>
<td>Web Streaming, Storage-Constrained Scenarios</td>
</tr>
</tbody>
</table>
</div>
<hr data-start="4908" data-end="4911" />
<h2 data-start="4913" data-end="4938"><strong data-start="4916" data-end="4938">5. Recommendations</strong></h2>
<ul data-start="4940" data-end="5515">
<li data-start="4940" data-end="5106">
<p data-start="4942" data-end="5106"><strong data-start="4942" data-end="4975">Professional Video Production</strong>: If your work demands the highest image quality and you have the necessary storage and bandwidth, <strong data-start="5074" data-end="5081">RGB</strong> is the preferred format.</p>
</li>
<li data-start="5110" data-end="5283">
<p data-start="5112" data-end="5283"><strong data-start="5112" data-end="5146">Live Streaming and General Use</strong>: For applications like live streaming where a balance between quality and data size is essential, <strong data-start="5245" data-end="5253">YUY2</strong> offers a suitable compromise.</p>
</li>
<li data-start="5287" data-end="5515">
<p data-start="5289" data-end="5515"><strong data-start="5289" data-end="5321">Limited Storage or Bandwidth</strong>: In situations where storage space or transmission bandwidth is constrained, such as web streaming or extended recordings, <strong data-start="5445" data-end="5454">MJPEG</strong> provides a practical solution despite its lossy compression.</p>
</li>
</ul>
<hr data-start="5517" data-end="5520" />
<p data-start="5522" data-end="5749">Understanding these formats enables you to make informed decisions when selecting an HDMI video capture card that aligns with your specific requirements, ensuring optimal performance and quality in your video capture endeavors.</p>]]></description>
			<content:encoded><![CDATA[<p data-start="0" data-end="376">HDMI video capture cards are essential tools for digitizing video signals from various sources like gaming consoles, cameras, and computers. They support multiple video formats, with <strong data-start="183" data-end="190">RGB</strong>, <strong data-start="192" data-end="200">YUY2</strong>, and <strong data-start="206" data-end="215">MJPEG</strong> being among the most common. Understanding the differences between these formats is crucial for selecting the right capture card that meets your specific needs.</p>
<hr data-start="378" data-end="381" />
<h2 data-start="383" data-end="403"><strong data-start="386" data-end="403">1. RGB Format</strong></h2>
<h3 data-start="405" data-end="423"><strong data-start="409" data-end="423">Definition</strong></h3>
<p data-start="424" data-end="709">RGB is an <strong data-start="434" data-end="463">uncompressed video format</strong> that represents images using the three primary colors: Red, Green, and Blue. Each color channel typically occupies 8 bits, resulting in a total of 24 bits per pixel. This format delivers <strong data-start="651" data-end="675">high-quality visuals</strong> with accurate color reproduction.</p>
<h3 data-start="711" data-end="735"><strong data-start="715" data-end="735">Data Arrangement</strong></h3>
<p data-start="736" data-end="808">In the RGB format, each pixel is represented by three consecutive bytes:</p>
<ul data-start="809" data-end="853">
<li data-start="809" data-end="822">
<p data-start="811" data-end="822"><strong data-start="811" data-end="822">R (Red)</strong></p>
</li>
<li data-start="823" data-end="838">
<p data-start="825" data-end="838"><strong data-start="825" data-end="838">G (Green)</strong></p>
</li>
<li data-start="839" data-end="853">
<p data-start="841" data-end="853"><strong data-start="841" data-end="853">B (Blue)</strong></p>
</li>
</ul>
<p data-start="855" data-end="895">For example, a pixel might be stored as:</p>
<div class="contain-inline-size rounded-md border-[0.5px&91; border-token-border-medium relative bg-token-sidebar-surface-primary">
<div class="flex items-center text-token-text-secondary px-4 py-2 text-xs font-sans justify-between h-9 bg-token-sidebar-surface-primary dark:bg-token-main-surface-secondary select-none rounded-t-[5px&91;">nginx</div>
<div class="sticky top-9">
<div class="absolute bottom-0 right-0 flex h-9 items-center pr-2">
<div class="flex items-center rounded bg-token-sidebar-surface-primary px-2 font-sans text-xs text-token-text-secondary dark:bg-token-main-surface-secondary"><span data-state="closed"><button class="flex gap-1 items-center select-none px-4 py-1">Copy</button></span><span data-state="closed"><button class="flex select-none items-center gap-1 px-4 py-1">Edit</button></span></div>
</div>
</div>
<div class="overflow-y-auto p-4" dir="ltr"><code class="!whitespace-pre"><span class="hljs-attribute">R1</span> G1 B1 R2 G2 B2 ... </code></div>
</div>
<p data-start="931" data-end="1009">This structure ensures that each pixel has its own distinct color information.</p>
<h3 data-start="1011" data-end="1029"><strong data-start="1015" data-end="1029">Advantages</strong></h3>
<ul data-start="1030" data-end="1319">
<li data-start="1030" data-end="1198">
<p data-start="1032" data-end="1198"><strong data-start="1032" data-end="1058">Superior Image Quality</strong>: Being uncompressed, RGB offers <strong data-start="1091" data-end="1117">lossless image quality</strong>, making it ideal for professional applications requiring precise color accuracy.</p>
</li>
<li data-start="1199" data-end="1319">
<p data-start="1201" data-end="1319"><strong data-start="1201" data-end="1227">Full Color Information</strong>: Each pixel retains complete color data, facilitating detailed post-processing and editing.</p>
</li>
</ul>
<h3 data-start="1321" data-end="1342"><strong data-start="1325" data-end="1342">Disadvantages</strong></h3>
<ul data-start="1343" data-end="1721">
<li data-start="1343" data-end="1551">
<p data-start="1345" data-end="1551"><strong data-start="1345" data-end="1364">Large Data Size</strong>: RGB files are substantial, demanding significant storage space and bandwidth. For instance, a 1920x1080 resolution image at 24 bits per pixel results in approximately 6.22 MB per frame.</p>
</li>
<li data-start="1552" data-end="1721">
<p data-start="1554" data-end="1721"><strong data-start="1554" data-end="1585">High Bandwidth Requirements</strong>: Transmitting uncompressed RGB video necessitates high-speed interfaces like <strong data-start="1663" data-end="1684">USB 3.0 or higher</strong> to handle the data flow efficiently.</p>
</li>
</ul>
<hr data-start="1723" data-end="1726" />
<h2 data-start="1728" data-end="1749"><strong data-start="1731" data-end="1749">2. YUY2 Format</strong></h2>
<h3 data-start="1751" data-end="1769"><strong data-start="1755" data-end="1769">Definition</strong></h3>
<p data-start="1770" data-end="2030">YUY2 is a <strong data-start="1780" data-end="1812">semi-compressed video format</strong> that employs <strong data-start="1826" data-end="1848">chroma subsampling</strong> to reduce data size while maintaining reasonable image quality. It represents images in the <strong data-start="1941" data-end="1960">YUV color space</strong>, which separates luminance (Y) from chrominance (U and V) components.</p>
<h3 data-start="2032" data-end="2056"><strong data-start="2036" data-end="2056">Data Arrangement</strong></h3>
<p data-start="2057" data-end="2104">In YUY2, every four bytes represent two pixels:</p>
<div class="contain-inline-size rounded-md border-[0.5px&91; border-token-border-medium relative bg-token-sidebar-surface-primary">
<div class="flex items-center text-token-text-secondary px-4 py-2 text-xs font-sans justify-between h-9 bg-token-sidebar-surface-primary dark:bg-token-main-surface-secondary select-none rounded-t-[5px&91;">nginx</div>
<div class="sticky top-9">
<div class="absolute bottom-0 right-0 flex h-9 items-center pr-2">
<div class="flex items-center rounded bg-token-sidebar-surface-primary px-2 font-sans text-xs text-token-text-secondary dark:bg-token-main-surface-secondary"><span data-state="closed"><button class="flex gap-1 items-center select-none px-4 py-1">Copy</button></span><span data-state="closed"><button class="flex select-none items-center gap-1 px-4 py-1">Edit</button></span></div>
</div>
</div>
<div class="overflow-y-auto p-4" dir="ltr"><code class="!whitespace-pre"><span class="hljs-attribute">Y1</span> U Y2 V Y3 U Y4 V ... </code></div>
</div>
<p data-start="2142" data-end="2147">Here:</p>
<ul data-start="2148" data-end="2257">
<li data-start="2148" data-end="2192">
<p data-start="2150" data-end="2192"><strong data-start="2150" data-end="2155">Y</strong>: Luminance component for each pixel.</p>
</li>
<li data-start="2193" data-end="2257">
<p data-start="2195" data-end="2257"><strong data-start="2195" data-end="2206">U and V</strong>: Chrominance components shared between two pixels.</p>
</li>
</ul>
<p data-start="2259" data-end="2378">This 4:2:2 chroma subsampling reduces color data by half compared to RGB, effectively decreasing the overall data size.</p>
<h3 data-start="2380" data-end="2398"><strong data-start="2384" data-end="2398">Advantages</strong></h3>
<ul data-start="2399" data-end="2721">
<li data-start="2399" data-end="2555">
<p data-start="2401" data-end="2555"><strong data-start="2401" data-end="2422">Reduced Data Size</strong>: By sharing chrominance information between pixels, YUY2 lowers data rates compared to RGB, easing storage and transmission demands.</p>
</li>
<li data-start="2556" data-end="2721">
<p data-start="2558" data-end="2721"><strong data-start="2558" data-end="2578">Balanced Quality</strong>: Offers a compromise between uncompressed quality and manageable file sizes, making it suitable for live streaming and real-time applications.</p>
</li>
</ul>
<h3 data-start="2723" data-end="2744"><strong data-start="2727" data-end="2744">Disadvantages</strong></h3>
<ul data-start="2745" data-end="3070">
<li data-start="2745" data-end="2881">
<p data-start="2747" data-end="2881"><strong data-start="2747" data-end="2770">Color Accuracy Loss</strong>: Chroma subsampling can lead to slight color inaccuracies, particularly in areas with sharp color transitions.</p>
</li>
<li data-start="2882" data-end="3070">
<p data-start="2884" data-end="3070"><strong data-start="2884" data-end="2919">Moderate Bandwidth Requirements</strong>: While less demanding than RGB, YUY2 still requires a <strong data-start="2974" data-end="2995">USB 3.0 interface</strong> for optimal performance, especially at higher resolutions and frame rates.</p>
</li>
</ul>
<hr data-start="3072" data-end="3075" />
<h2 data-start="3077" data-end="3099"><strong data-start="3080" data-end="3099">3. MJPEG Format</strong></h2>
<h3 data-start="3101" data-end="3119"><strong data-start="3105" data-end="3119">Definition</strong></h3>
<p data-start="3120" data-end="3338">MJPEG (Motion JPEG) is a <strong data-start="3145" data-end="3172">compressed video format</strong> where each frame is individually compressed as a JPEG image. This approach allows for significant reduction in data size while maintaining acceptable visual quality.</p>
<h3 data-start="3340" data-end="3364"><strong data-start="3344" data-end="3364">Data Arrangement</strong></h3>
<p data-start="3365" data-end="3441">In MJPEG, the video stream consists of a sequence of JPEG-compressed frames:</p>
<div class="contain-inline-size rounded-md border-[0.5px&91; border-token-border-medium relative bg-token-sidebar-surface-primary">
<div class="flex items-center text-token-text-secondary px-4 py-2 text-xs font-sans justify-between h-9 bg-token-sidebar-surface-primary dark:bg-token-main-surface-secondary select-none rounded-t-[5px&91;">css</div>
<div class="sticky top-9">
<div class="absolute bottom-0 right-0 flex h-9 items-center pr-2">
<div class="flex items-center rounded bg-token-sidebar-surface-primary px-2 font-sans text-xs text-token-text-secondary dark:bg-token-main-surface-secondary"><span data-state="closed"><button class="flex gap-1 items-center select-none px-4 py-1">Copy</button></span><span data-state="closed"><button class="flex select-none items-center gap-1 px-4 py-1">Edit</button></span></div>
</div>
</div>
<div class="overflow-y-auto p-4" dir="ltr"><code class="!whitespace-pre"><span class="hljs-selector-attr">[JPEG Frame 1&91;</span> <span class="hljs-selector-attr">[JPEG Frame 2&91;</span> <span class="hljs-selector-attr">[JPEG Frame 3&91;</span> ... </code></div>
</div>
<p data-start="3500" data-end="3577">Each frame is compressed independently, without reference to adjacent frames.</p>
<h3 data-start="3579" data-end="3597"><strong data-start="3583" data-end="3597">Advantages</strong></h3>
<ul data-start="3598" data-end="3841">
<li data-start="3598" data-end="3734">
<p data-start="3600" data-end="3734"><strong data-start="3600" data-end="3625">Efficient Compression</strong>: MJPEG significantly reduces file sizes, making it ideal for applications with limited storage or bandwidth.</p>
</li>
<li data-start="3735" data-end="3841">
<p data-start="3737" data-end="3841"><strong data-start="3737" data-end="3754">Compatibility</strong>: Widely supported across various platforms and software, ensuring broad compatibility.</p>
</li>
</ul>
<h3 data-start="3843" data-end="3864"><strong data-start="3847" data-end="3864">Disadvantages</strong></h3>
<ul data-start="3865" data-end="4156">
<li data-start="3865" data-end="4026">
<p data-start="3867" data-end="4026"><strong data-start="3867" data-end="3888">Lossy Compression</strong>: The compression process can introduce artifacts and degrade image quality, particularly in scenes with rapid motion or complex textures.</p>
</li>
<li data-start="4027" data-end="4156">
<p data-start="4029" data-end="4156"><strong data-start="4029" data-end="4049">Variable Quality</strong>: Image quality depends on the compression ratio; higher compression leads to more noticeable quality loss.</p>
</li>
</ul>
<hr data-start="4158" data-end="4161" />
<h2 data-start="4163" data-end="4193"><strong data-start="4166" data-end="4193">4. Comparative Analysis</strong></h2>
<div class="overflow-x-auto contain-inline-size">
<table data-start="4195" data-end="4906">
<thead data-start="4195" data-end="4288">
<tr data-start="4195" data-end="4288"><th data-start="4195" data-end="4215">Feature</th><th data-start="4215" data-end="4239"><strong data-start="4217" data-end="4224">RGB</strong></th><th data-start="4239" data-end="4263"><strong data-start="4241" data-end="4249">YUY2</strong></th><th data-start="4263" data-end="4288"><strong data-start="4265" data-end="4274">MJPEG</strong></th></tr>
</thead>
<tbody data-start="4383" data-end="4906">
<tr data-start="4383" data-end="4476">
<td><strong data-start="4385" data-end="4400">Compression</strong></td>
<td>None (Uncompressed)</td>
<td>Chroma Subsampling</td>
<td>Lossy Compression</td>
</tr>
<tr data-start="4477" data-end="4570">
<td><strong data-start="4479" data-end="4496">Image Quality</strong></td>
<td>Excellent</td>
<td>Good</td>
<td>Variable</td>
</tr>
<tr data-start="4571" data-end="4664">
<td><strong data-start="4573" data-end="4586">Data Size</strong></td>
<td>Very Large</td>
<td>Moderate</td>
<td>Small</td>
</tr>
<tr data-start="4665" data-end="4758">
<td><strong data-start="4667" data-end="4680">Bandwidth</strong></td>
<td>High</td>
<td>Moderate</td>
<td>Low</td>
</tr>
<tr data-start="4759" data-end="4906">
<td><strong data-start="4761" data-end="4774">Use Cases</strong></td>
<td>Professional Editing, High-End Streaming</td>
<td>Live Streaming, General Recording</td>
<td>Web Streaming, Storage-Constrained Scenarios</td>
</tr>
</tbody>
</table>
</div>
<hr data-start="4908" data-end="4911" />
<h2 data-start="4913" data-end="4938"><strong data-start="4916" data-end="4938">5. Recommendations</strong></h2>
<ul data-start="4940" data-end="5515">
<li data-start="4940" data-end="5106">
<p data-start="4942" data-end="5106"><strong data-start="4942" data-end="4975">Professional Video Production</strong>: If your work demands the highest image quality and you have the necessary storage and bandwidth, <strong data-start="5074" data-end="5081">RGB</strong> is the preferred format.</p>
</li>
<li data-start="5110" data-end="5283">
<p data-start="5112" data-end="5283"><strong data-start="5112" data-end="5146">Live Streaming and General Use</strong>: For applications like live streaming where a balance between quality and data size is essential, <strong data-start="5245" data-end="5253">YUY2</strong> offers a suitable compromise.</p>
</li>
<li data-start="5287" data-end="5515">
<p data-start="5289" data-end="5515"><strong data-start="5289" data-end="5321">Limited Storage or Bandwidth</strong>: In situations where storage space or transmission bandwidth is constrained, such as web streaming or extended recordings, <strong data-start="5445" data-end="5454">MJPEG</strong> provides a practical solution despite its lossy compression.</p>
</li>
</ul>
<hr data-start="5517" data-end="5520" />
<p data-start="5522" data-end="5749">Understanding these formats enables you to make informed decisions when selecting an HDMI video capture card that aligns with your specific requirements, ensuring optimal performance and quality in your video capture endeavors.</p>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Understanding Video Capture Cards: A Comprehensive Guide for Creators and Professionals]]></title>
			<link>https://cutedigi.com/blog/understanding-video-capture-cards-a-comprehensive-guide-for-creators-and-professionals/</link>
			<pubDate>Sat, 29 Mar 2025 21:37:23 +0000</pubDate>
			<guid isPermaLink="false">https://cutedigi.com/blog/understanding-video-capture-cards-a-comprehensive-guide-for-creators-and-professionals/</guid>
			<description><![CDATA[<p>Video capture cards are essential devices that transfer external video signals into a computer for recording, live streaming, or editing. Whether you&rsquo;re a gaming streamer, content creator, or a professional needing high-quality video transmission, understanding and properly utilizing a video capture card can significantly enhance your workflow and content quality.</p>
<p>&nbsp;</p>
<h3 data-start="466" data-end="504">1. The Role of Video Capture Cards</h3>
<p data-start="506" data-end="915">The primary function of a video capture card is to convert audio and video signals from devices such as game consoles or cameras into a digital format that computers can process. Unlike screen recording software alone, a capture card offers superior image quality, lower latency, and minimizes the load on your computer&rsquo;s resources, making it an ideal tool for professional-grade recording and live streaming.</p>
<p data-start="506" data-end="915">&nbsp;</p>
<h3 data-start="922" data-end="957">2. Types of Video Capture Cards</h3>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p data-start="959" data-end="1062">Video capture cards can be broadly classified based on their connection methods and installation types:</p>
<ul data-start="1064" data-end="1791">
<li data-start="1064" data-end="1295">
<p data-start="1066" data-end="1295"><strong data-start="1066" data-end="1093">Internal Capture Cards:</strong><br data-start="1093" data-end="1096" /> Installed directly onto a desktop motherboard via a PCIe slot, these cards are known for their high stability and low latency. They are perfect for fixed workstations where performance is critical.</p>
</li>
<li data-start="1297" data-end="1520">
<p data-start="1299" data-end="1520"><strong data-start="1299" data-end="1326">External Capture Cards:</strong><br data-start="1326" data-end="1329" /> Connected via USB ports, external capture cards are portable and ideal for laptops or scenarios where mobility is required. Their plug-and-play nature makes them user-friendly and flexible.</p>
</li>
<li data-start="1522" data-end="1791">
<p data-start="1524" data-end="1791"><strong data-start="1524" data-end="1555">Pass-Through Capture Cards:</strong><br data-start="1555" data-end="1558" /> Featuring a pass-through (or loop-out) function, these cards allow you to output the video signal to a monitor in real time while capturing it. This is particularly useful for live monitoring during streaming or recording sessions.</p>
</li>
</ul>
<p>&nbsp;</p>
<h3 data-start="1798" data-end="1842">3. Choosing the Right Video Capture Card</h3>
<p data-start="1844" data-end="1969">When shopping for a video capture card, consider the following factors to ensure you get the best performance for your needs:</p>
<ul data-start="1971" data-end="3041">
<li data-start="1971" data-end="2209">
<p data-start="1973" data-end="2209"><strong data-start="1973" data-end="1992">Interface Type:</strong><br data-start="1992" data-end="1995" /> Common interfaces include USB 2.0, USB 3.0, and PCIe. Typically, USB 3.0 and PCIe interfaces support higher transfer speeds and better video quality, making them the preferred choice for high-demand applications.</p>
</li>
<li data-start="2211" data-end="2544">
<p data-start="2213" data-end="2544"><strong data-start="2213" data-end="2243">Resolution and Frame Rate:</strong><br data-start="2243" data-end="2246" /> Depending on your needs, select a capture card that supports the highest resolution and frame rate required&mdash;whether it&rsquo;s 1080p at 60 frames per second or 4K at 30 frames per second. Keep in mind that some cards may claim high-resolution support while their actual output capabilities are limited.</p>
</li>
<li data-start="2546" data-end="2707">
<p data-start="2548" data-end="2707"><strong data-start="2548" data-end="2579">Video Format Compatibility:</strong><br data-start="2579" data-end="2582" /> For superior color reproduction and image quality, look for cards that support high-quality video formats like YUY2 or RGB.</p>
</li>
<li data-start="2709" data-end="2857">
<p data-start="2711" data-end="2857"><strong data-start="2711" data-end="2739">Pass-Through Capability:</strong><br data-start="2739" data-end="2742" /> If you require real-time monitoring, opt for a capture card with a pass-through feature to enhance your workflow.</p>
</li>
<li data-start="2859" data-end="3041">
<p data-start="2861" data-end="3041"><strong data-start="2861" data-end="2906">Brand Reputation and After-Sales Service:</strong><br data-start="2906" data-end="2909" /> Investing in a well-known brand with reliable customer support can ensure smooth operation and peace of mind during your projects.</p>
</li>
</ul>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h3 data-start="3048" data-end="3121">4. A Step-by-Step Guide to Using a Video Capture Card with OBS Studio</h3>
<p data-start="3123" data-end="3201">Below is a basic tutorial on setting up a video capture card using OBS Studio:</p>
<ol data-start="3203" data-end="4373">
<li data-start="3203" data-end="3439">
<p data-start="3206" data-end="3439"><strong data-start="3206" data-end="3230">Connect Your Device:</strong><br data-start="3230" data-end="3233" /> Connect your video source (for example, a gaming console) to the capture card&rsquo;s input via an HDMI cable. Then, connect the capture card to your computer using the appropriate interface (USB, PCIe, etc.).</p>
</li>
<li data-start="3441" data-end="3643">
<p data-start="3444" data-end="3643"><strong data-start="3444" data-end="3477">Install Drivers and Software:</strong><br data-start="3477" data-end="3480" /> Follow the manufacturer&rsquo;s instructions to install the necessary drivers. Additionally, download and install OBS Studio or another compatible recording software.</p>
</li>
<li data-start="3645" data-end="4090">
<p data-start="3648" data-end="3675"><strong data-start="3648" data-end="3673">Configure OBS Studio:</strong></p>
<ul data-start="3679" data-end="4090">
<li data-start="3679" data-end="3752">
<p data-start="3681" data-end="3752">Launch OBS Studio and click the &ldquo;+&rdquo; button under the &ldquo;Sources&rdquo; section.</p>
</li>
<li data-start="3756" data-end="3802">
<p data-start="3758" data-end="3802">Select &ldquo;Video Capture Device&rdquo; from the list.</p>
</li>
<li data-start="3806" data-end="3882">
<p data-start="3808" data-end="3882">In the window that appears, choose your capture card from the device list.</p>
</li>
<li data-start="3886" data-end="4006">
<p data-start="3888" data-end="4006">Adjust the resolution, frame rate, and other settings based on the capabilities of your capture card and video source.</p>
</li>
<li data-start="4010" data-end="4090">
<p data-start="4012" data-end="4090">Once configured, you should see your video source displayed within OBS Studio.</p>
</li>
</ul>
</li>
<li data-start="4092" data-end="4243">
<p data-start="4095" data-end="4243"><strong data-start="4095" data-end="4112">Set Up Audio:</strong><br data-start="4112" data-end="4115" /> Ensure that OBS Studio&rsquo;s audio input and output settings are correctly configured to avoid issues like missing sound or echo.</p>
</li>
<li data-start="4245" data-end="4373">
<p data-start="4248" data-end="4373"><strong data-start="4248" data-end="4281">Start Recording or Streaming:</strong><br data-start="4281" data-end="4284" /> With all settings in place, you can now start recording your video content or go live.</p>
</li>
</ol>
<p>&nbsp;</p>
<h3 data-start="4380" data-end="4411">5. Important Considerations</h3>
<ul data-start="4413" data-end="5004">
<li data-start="4413" data-end="4597">
<p data-start="4415" data-end="4597"><strong data-start="4415" data-end="4433">Compatibility:</strong><br data-start="4433" data-end="4436" /> Verify that the capture card is compatible with your computer&rsquo;s operating system and hardware to prevent issues with device recognition or driver installation.</p>
</li>
<li data-start="4599" data-end="4792">
<p data-start="4601" data-end="4792"><strong data-start="4601" data-end="4620">Latency Issues:</strong><br data-start="4620" data-end="4623" /> While high-quality capture cards generally offer low latency, it&rsquo;s important to adjust settings and optimize performance based on your specific setup and requirements.</p>
</li>
<li data-start="4794" data-end="5004">
<p data-start="4796" data-end="5004"><strong data-start="4796" data-end="4831">Heat Dissipation and Stability:</strong><br data-start="4831" data-end="4834" /> Continuous use of a capture card can generate significant heat. Choosing a product with effective cooling design will ensure better long-term stability and performance.</p>
</li>
</ul>
<p>&nbsp;</p>
<p>By understanding the functions, types, and selection criteria of video capture cards, as well as learning how to integrate them into your recording and streaming setup, you can elevate the quality of your video productions and enhance your overall creative workflow. Happy streaming and recording!</p>
<p>&nbsp;</p>
<p>&nbsp;</p>]]></description>
			<content:encoded><![CDATA[<p>Video capture cards are essential devices that transfer external video signals into a computer for recording, live streaming, or editing. Whether you&rsquo;re a gaming streamer, content creator, or a professional needing high-quality video transmission, understanding and properly utilizing a video capture card can significantly enhance your workflow and content quality.</p>
<p>&nbsp;</p>
<h3 data-start="466" data-end="504">1. The Role of Video Capture Cards</h3>
<p data-start="506" data-end="915">The primary function of a video capture card is to convert audio and video signals from devices such as game consoles or cameras into a digital format that computers can process. Unlike screen recording software alone, a capture card offers superior image quality, lower latency, and minimizes the load on your computer&rsquo;s resources, making it an ideal tool for professional-grade recording and live streaming.</p>
<p data-start="506" data-end="915">&nbsp;</p>
<h3 data-start="922" data-end="957">2. Types of Video Capture Cards</h3>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p data-start="959" data-end="1062">Video capture cards can be broadly classified based on their connection methods and installation types:</p>
<ul data-start="1064" data-end="1791">
<li data-start="1064" data-end="1295">
<p data-start="1066" data-end="1295"><strong data-start="1066" data-end="1093">Internal Capture Cards:</strong><br data-start="1093" data-end="1096" /> Installed directly onto a desktop motherboard via a PCIe slot, these cards are known for their high stability and low latency. They are perfect for fixed workstations where performance is critical.</p>
</li>
<li data-start="1297" data-end="1520">
<p data-start="1299" data-end="1520"><strong data-start="1299" data-end="1326">External Capture Cards:</strong><br data-start="1326" data-end="1329" /> Connected via USB ports, external capture cards are portable and ideal for laptops or scenarios where mobility is required. Their plug-and-play nature makes them user-friendly and flexible.</p>
</li>
<li data-start="1522" data-end="1791">
<p data-start="1524" data-end="1791"><strong data-start="1524" data-end="1555">Pass-Through Capture Cards:</strong><br data-start="1555" data-end="1558" /> Featuring a pass-through (or loop-out) function, these cards allow you to output the video signal to a monitor in real time while capturing it. This is particularly useful for live monitoring during streaming or recording sessions.</p>
</li>
</ul>
<p>&nbsp;</p>
<h3 data-start="1798" data-end="1842">3. Choosing the Right Video Capture Card</h3>
<p data-start="1844" data-end="1969">When shopping for a video capture card, consider the following factors to ensure you get the best performance for your needs:</p>
<ul data-start="1971" data-end="3041">
<li data-start="1971" data-end="2209">
<p data-start="1973" data-end="2209"><strong data-start="1973" data-end="1992">Interface Type:</strong><br data-start="1992" data-end="1995" /> Common interfaces include USB 2.0, USB 3.0, and PCIe. Typically, USB 3.0 and PCIe interfaces support higher transfer speeds and better video quality, making them the preferred choice for high-demand applications.</p>
</li>
<li data-start="2211" data-end="2544">
<p data-start="2213" data-end="2544"><strong data-start="2213" data-end="2243">Resolution and Frame Rate:</strong><br data-start="2243" data-end="2246" /> Depending on your needs, select a capture card that supports the highest resolution and frame rate required&mdash;whether it&rsquo;s 1080p at 60 frames per second or 4K at 30 frames per second. Keep in mind that some cards may claim high-resolution support while their actual output capabilities are limited.</p>
</li>
<li data-start="2546" data-end="2707">
<p data-start="2548" data-end="2707"><strong data-start="2548" data-end="2579">Video Format Compatibility:</strong><br data-start="2579" data-end="2582" /> For superior color reproduction and image quality, look for cards that support high-quality video formats like YUY2 or RGB.</p>
</li>
<li data-start="2709" data-end="2857">
<p data-start="2711" data-end="2857"><strong data-start="2711" data-end="2739">Pass-Through Capability:</strong><br data-start="2739" data-end="2742" /> If you require real-time monitoring, opt for a capture card with a pass-through feature to enhance your workflow.</p>
</li>
<li data-start="2859" data-end="3041">
<p data-start="2861" data-end="3041"><strong data-start="2861" data-end="2906">Brand Reputation and After-Sales Service:</strong><br data-start="2906" data-end="2909" /> Investing in a well-known brand with reliable customer support can ensure smooth operation and peace of mind during your projects.</p>
</li>
</ul>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h3 data-start="3048" data-end="3121">4. A Step-by-Step Guide to Using a Video Capture Card with OBS Studio</h3>
<p data-start="3123" data-end="3201">Below is a basic tutorial on setting up a video capture card using OBS Studio:</p>
<ol data-start="3203" data-end="4373">
<li data-start="3203" data-end="3439">
<p data-start="3206" data-end="3439"><strong data-start="3206" data-end="3230">Connect Your Device:</strong><br data-start="3230" data-end="3233" /> Connect your video source (for example, a gaming console) to the capture card&rsquo;s input via an HDMI cable. Then, connect the capture card to your computer using the appropriate interface (USB, PCIe, etc.).</p>
</li>
<li data-start="3441" data-end="3643">
<p data-start="3444" data-end="3643"><strong data-start="3444" data-end="3477">Install Drivers and Software:</strong><br data-start="3477" data-end="3480" /> Follow the manufacturer&rsquo;s instructions to install the necessary drivers. Additionally, download and install OBS Studio or another compatible recording software.</p>
</li>
<li data-start="3645" data-end="4090">
<p data-start="3648" data-end="3675"><strong data-start="3648" data-end="3673">Configure OBS Studio:</strong></p>
<ul data-start="3679" data-end="4090">
<li data-start="3679" data-end="3752">
<p data-start="3681" data-end="3752">Launch OBS Studio and click the &ldquo;+&rdquo; button under the &ldquo;Sources&rdquo; section.</p>
</li>
<li data-start="3756" data-end="3802">
<p data-start="3758" data-end="3802">Select &ldquo;Video Capture Device&rdquo; from the list.</p>
</li>
<li data-start="3806" data-end="3882">
<p data-start="3808" data-end="3882">In the window that appears, choose your capture card from the device list.</p>
</li>
<li data-start="3886" data-end="4006">
<p data-start="3888" data-end="4006">Adjust the resolution, frame rate, and other settings based on the capabilities of your capture card and video source.</p>
</li>
<li data-start="4010" data-end="4090">
<p data-start="4012" data-end="4090">Once configured, you should see your video source displayed within OBS Studio.</p>
</li>
</ul>
</li>
<li data-start="4092" data-end="4243">
<p data-start="4095" data-end="4243"><strong data-start="4095" data-end="4112">Set Up Audio:</strong><br data-start="4112" data-end="4115" /> Ensure that OBS Studio&rsquo;s audio input and output settings are correctly configured to avoid issues like missing sound or echo.</p>
</li>
<li data-start="4245" data-end="4373">
<p data-start="4248" data-end="4373"><strong data-start="4248" data-end="4281">Start Recording or Streaming:</strong><br data-start="4281" data-end="4284" /> With all settings in place, you can now start recording your video content or go live.</p>
</li>
</ol>
<p>&nbsp;</p>
<h3 data-start="4380" data-end="4411">5. Important Considerations</h3>
<ul data-start="4413" data-end="5004">
<li data-start="4413" data-end="4597">
<p data-start="4415" data-end="4597"><strong data-start="4415" data-end="4433">Compatibility:</strong><br data-start="4433" data-end="4436" /> Verify that the capture card is compatible with your computer&rsquo;s operating system and hardware to prevent issues with device recognition or driver installation.</p>
</li>
<li data-start="4599" data-end="4792">
<p data-start="4601" data-end="4792"><strong data-start="4601" data-end="4620">Latency Issues:</strong><br data-start="4620" data-end="4623" /> While high-quality capture cards generally offer low latency, it&rsquo;s important to adjust settings and optimize performance based on your specific setup and requirements.</p>
</li>
<li data-start="4794" data-end="5004">
<p data-start="4796" data-end="5004"><strong data-start="4796" data-end="4831">Heat Dissipation and Stability:</strong><br data-start="4831" data-end="4834" /> Continuous use of a capture card can generate significant heat. Choosing a product with effective cooling design will ensure better long-term stability and performance.</p>
</li>
</ul>
<p>&nbsp;</p>
<p>By understanding the functions, types, and selection criteria of video capture cards, as well as learning how to integrate them into your recording and streaming setup, you can elevate the quality of your video productions and enhance your overall creative workflow. Happy streaming and recording!</p>
<p>&nbsp;</p>
<p>&nbsp;</p>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[A Comparison between Fresnel ALR Projector Screen and Regular Projector Screen ]]></title>
			<link>https://cutedigi.com/blog/a-comparison-between-fresnel-alr-projector-screen-and-regular-projector-screen-/</link>
			<pubDate>Wed, 09 Aug 2023 10:43:22 +0000</pubDate>
			<guid isPermaLink="false">https://cutedigi.com/blog/a-comparison-between-fresnel-alr-projector-screen-and-regular-projector-screen-/</guid>
			<description><![CDATA[<p><img src="/product_images/uploaded_images/wechatimg62.jpg"></p><p><img src="/product_images/uploaded_images/wechatimg63.jpg"></p><p><img src="/product_images/uploaded_images/wechatimg64.jpg"></p>]]></description>
			<content:encoded><![CDATA[<p><img src="/product_images/uploaded_images/wechatimg62.jpg"></p><p><img src="/product_images/uploaded_images/wechatimg63.jpg"></p><p><img src="/product_images/uploaded_images/wechatimg64.jpg"></p>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Broadband Powerline Communication Adaptor: Industry Grade Product]]></title>
			<link>https://cutedigi.com/blog/broadband-powerline-communication-adaptor-industry-grade-product/</link>
			<pubDate>Tue, 01 Aug 2023 23:00:28 +0000</pubDate>
			<guid isPermaLink="false">https://cutedigi.com/blog/broadband-powerline-communication-adaptor-industry-grade-product/</guid>
			<description><![CDATA[<p><img src="/product_images/uploaded_images/picture1.jpg" style="width: 427px;"></p><h1>1. Product Description</h1><p>Broadband powerline communication adaptor BPLC-LS700M is a broadband powerline carrier communication device with powerful functions and superior performance. It supports IP packets, RS485, RS232 serial port and other multi-protocol data on any two-wires, such as twisted pair, coaxial cable, DC wire, AC wire, parallel lines, elevator accompanying cables, etc. for high-speed long-distance transmission. The maximum physical layer rate can reach 240Mbps, and the longest point-to-point transmission distance can reach 500 meters. The relay version supports up to 10-level relays, and the longest transmission distance is 3-5KM.</p><p>BPLC-LS700M is a data transparent transmission device. It does self-route and self-organize network, and data is completely transparent. It can be configured to master and slave mode. The master and slave modes are configured using the master-slave switch on the back of the device. The device can support bus, star, tree, and mixed network topologies.</p><p>BPLC-LS700M integrates coupling circuit inside, high voltage isolation, anti-surge protection, suitable for carrier communication on 0-500V cable. The products have been widely used in various industries, including elevator network and elevator multimedia, railway communication monitoring system, mine monitoring system, inspection robot, wind energy new energy, intelligent charging pile, intelligent streetlamp, automated storage and retrieval system, traffic radar video monitoring and so on.</p><h1>2. Technical Specification</h1><p><br><img src="/product_images/uploaded_images/screen-shot-2023-08-02-at-11.14.07-am.png" style="background-color: initial; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif; font-size: 15px;"></p><h1>3. Interfaces</h1><p><img src="/product_images/uploaded_images/screen-shot-2023-08-02-at-11.16.15-am.png"></p><p><img src="/product_images/uploaded_images/screen-shot-2023-08-02-at-11.17.49-am.png"></p>]]></description>
			<content:encoded><![CDATA[<p><img src="/product_images/uploaded_images/picture1.jpg" style="width: 427px;"></p><h1>1. Product Description</h1><p>Broadband powerline communication adaptor BPLC-LS700M is a broadband powerline carrier communication device with powerful functions and superior performance. It supports IP packets, RS485, RS232 serial port and other multi-protocol data on any two-wires, such as twisted pair, coaxial cable, DC wire, AC wire, parallel lines, elevator accompanying cables, etc. for high-speed long-distance transmission. The maximum physical layer rate can reach 240Mbps, and the longest point-to-point transmission distance can reach 500 meters. The relay version supports up to 10-level relays, and the longest transmission distance is 3-5KM.</p><p>BPLC-LS700M is a data transparent transmission device. It does self-route and self-organize network, and data is completely transparent. It can be configured to master and slave mode. The master and slave modes are configured using the master-slave switch on the back of the device. The device can support bus, star, tree, and mixed network topologies.</p><p>BPLC-LS700M integrates coupling circuit inside, high voltage isolation, anti-surge protection, suitable for carrier communication on 0-500V cable. The products have been widely used in various industries, including elevator network and elevator multimedia, railway communication monitoring system, mine monitoring system, inspection robot, wind energy new energy, intelligent charging pile, intelligent streetlamp, automated storage and retrieval system, traffic radar video monitoring and so on.</p><h1>2. Technical Specification</h1><p><br><img src="/product_images/uploaded_images/screen-shot-2023-08-02-at-11.14.07-am.png" style="background-color: initial; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif; font-size: 15px;"></p><h1>3. Interfaces</h1><p><img src="/product_images/uploaded_images/screen-shot-2023-08-02-at-11.16.15-am.png"></p><p><img src="/product_images/uploaded_images/screen-shot-2023-08-02-at-11.17.49-am.png"></p>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Must Knows about Fresnel Ambient Light Rejection Projector ]]></title>
			<link>https://cutedigi.com/blog/must-knows-about-fresnel-ambient-light-rejection-projector-/</link>
			<pubDate>Sat, 29 Jul 2023 03:22:44 +0000</pubDate>
			<guid isPermaLink="false">https://cutedigi.com/blog/must-knows-about-fresnel-ambient-light-rejection-projector-/</guid>
			<description><![CDATA[<p>When it comes to projector, contrast
is key to for a projector to please our eyes.</p><p><img src="/product_images/uploaded_images/screen-shot-2023-07-29-at-5.09.33-pm.png" style="width: 599px;"></p><p>It is all about how dark is the dark.</p><p>Ambient
Light is the enemy of a projector.&nbsp;&nbsp;Ambient
light scattered by a screen enters our eye with the projector light reduces the
contrast.&nbsp;&nbsp;The
key is to reduce the ambient light entering eye.</p><p><strong>Fresnel
Optical Structure&nbsp;</strong></p><p><strong><br></strong></p><p>The core element in Fresnel
screens is the Fresnel lens. The Fresnel is made up from thousands of
concentric lenses – each with its own unique profile. Barely visible to the
naked eye, these lenses form a circular pattern from the screen center and outwards – like ripples in a pond.</p><p><img src="https://cdn11.bigcommerce.com/s-rs1s2e/product_images/uploaded_images/screen-shot-2023-07-29-at-4.17.42-pm.png"></p><p>With Fresnel screen, only light
from the projector will be focused and ambient lights from both sides and top
of the screen will be rejected.</p><p>The Fresnel screen can
efficiently reject over 85% of the ambient light which makes the image vivid
and bright under ambient light.</p><p>The
core component of the Fresnel screen is a film that made of 8 layers: scratch
resistant layer, color layer, diffusion layer, cylindrical lens layer, speckle
suppression layer, Fresnel Lens layer, reflecting layer and black coating
layer.&nbsp;</p><p><img src="https://cdn11.bigcommerce.com/s-rs1s2e/product_images/uploaded_images/screen-shot-2023-07-29-at-4.18.40-pm.png" style="width: 611px;"></p><p><strong>Ultrashort
Throw and Long Throw</strong></p><p>By
designing different Fresnel patterns, the screen can entertain ultrashort throw
(laser TV)  and long throw projector. For
ultrashort throw, the film needs to have ultra flat supporting substrate, and
this makes it expensive compared to long throw version as its more tolerant to
the flatness of the supporting substrate.&nbsp;</p><p><img src="/product_images/uploaded_images/screen-shot-2023-07-29-at-5.16.13-pm.png" style="width: 618px;"></p><p><strong>Tradeoff
between gain and view angle&nbsp;</strong></p><p><strong><br></strong></p><p>By
designing different Fresnel patterns, the screen can trade gain versus view
angle.  By focusing more lights into a
narrow view angle, we achieve a high gain screen.</p><p>Normally,
we have gain of 1.2 and view angle of 160 degree, and gain of 1.8 and view
angle of 80 degree. Generally
speaking, a
large view angle is more expensive.</p><p>For
better experience, a projector with more than 500 lumens is recommended. As the
effect of the screen for a lower lumens will not be that obvious.</p><p><strong>Form factors</strong></p><p>The active component is the fresnel film. It can be installed on a string frame on a fabric like LinkSprite offers or attached on a rollable frame.</p><p><strong><br></strong></p><p><strong>Experience
the difference</strong></p><p><strong><br></strong></p><p><img src="/product_images/uploaded_images/screen-shot-2023-07-29-at-5.21.58-pm.png"></p>]]></description>
			<content:encoded><![CDATA[<p>When it comes to projector, contrast
is key to for a projector to please our eyes.</p><p><img src="/product_images/uploaded_images/screen-shot-2023-07-29-at-5.09.33-pm.png" style="width: 599px;"></p><p>It is all about how dark is the dark.</p><p>Ambient
Light is the enemy of a projector.&nbsp;&nbsp;Ambient
light scattered by a screen enters our eye with the projector light reduces the
contrast.&nbsp;&nbsp;The
key is to reduce the ambient light entering eye.</p><p><strong>Fresnel
Optical Structure&nbsp;</strong></p><p><strong><br></strong></p><p>The core element in Fresnel
screens is the Fresnel lens. The Fresnel is made up from thousands of
concentric lenses – each with its own unique profile. Barely visible to the
naked eye, these lenses form a circular pattern from the screen center and outwards – like ripples in a pond.</p><p><img src="https://cdn11.bigcommerce.com/s-rs1s2e/product_images/uploaded_images/screen-shot-2023-07-29-at-4.17.42-pm.png"></p><p>With Fresnel screen, only light
from the projector will be focused and ambient lights from both sides and top
of the screen will be rejected.</p><p>The Fresnel screen can
efficiently reject over 85% of the ambient light which makes the image vivid
and bright under ambient light.</p><p>The
core component of the Fresnel screen is a film that made of 8 layers: scratch
resistant layer, color layer, diffusion layer, cylindrical lens layer, speckle
suppression layer, Fresnel Lens layer, reflecting layer and black coating
layer.&nbsp;</p><p><img src="https://cdn11.bigcommerce.com/s-rs1s2e/product_images/uploaded_images/screen-shot-2023-07-29-at-4.18.40-pm.png" style="width: 611px;"></p><p><strong>Ultrashort
Throw and Long Throw</strong></p><p>By
designing different Fresnel patterns, the screen can entertain ultrashort throw
(laser TV)  and long throw projector. For
ultrashort throw, the film needs to have ultra flat supporting substrate, and
this makes it expensive compared to long throw version as its more tolerant to
the flatness of the supporting substrate.&nbsp;</p><p><img src="/product_images/uploaded_images/screen-shot-2023-07-29-at-5.16.13-pm.png" style="width: 618px;"></p><p><strong>Tradeoff
between gain and view angle&nbsp;</strong></p><p><strong><br></strong></p><p>By
designing different Fresnel patterns, the screen can trade gain versus view
angle.  By focusing more lights into a
narrow view angle, we achieve a high gain screen.</p><p>Normally,
we have gain of 1.2 and view angle of 160 degree, and gain of 1.8 and view
angle of 80 degree. Generally
speaking, a
large view angle is more expensive.</p><p>For
better experience, a projector with more than 500 lumens is recommended. As the
effect of the screen for a lower lumens will not be that obvious.</p><p><strong>Form factors</strong></p><p>The active component is the fresnel film. It can be installed on a string frame on a fabric like LinkSprite offers or attached on a rollable frame.</p><p><strong><br></strong></p><p><strong>Experience
the difference</strong></p><p><strong><br></strong></p><p><img src="/product_images/uploaded_images/screen-shot-2023-07-29-at-5.21.58-pm.png"></p>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Review of Mamba shield for Arduino Uno]]></title>
			<link>https://cutedigi.com/blog/review-of-mamba-shield-for-arduino-uno/</link>
			<pubDate>Tue, 04 Jul 2023 11:25:06 +0000</pubDate>
			<guid isPermaLink="false">https://cutedigi.com/blog/review-of-mamba-shield-for-arduino-uno/</guid>
			<description><![CDATA[<p><strong style="font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif; font-size: 15px; color: rgb(52, 49, 63);">ABSTRACT</strong></p><p>This document analyzes the Mamba shield for Arduino with several experiments of powerlines communications over DC lines and AC lines. Principally, I’ve tried to guess the baud rate that this product can reach without transmission errors.
<strong>INTRODUCTION</strong>
</p><p>Power line communications technology is a way of carrying data on a conductor that can also be used for power transmission. You can use it to pass a control signal through the electrical wiring in a house for home automation. LinkSprite's Mamba shield gives your Arduino this ability. This Narrowband Powerline Communication shield can be controlled by your Arduino board using a simple SPI interface. From these places you can download the electric schematic, the codes and a step-by-step guide. The board needs to supply at least 1 Amp to work correctly. One of his inconvenient is that it needs a lot of caution if you use the board with high voltage.&nbsp;</p><p>The main element of Mamba shield is the PLM-1 modem. That chip is the brain of the board. It is a fully digital data transceiver for powerline communications using Frequency-Shift Keying (FSK) and it is designed to be controlled from an external Central Processing Unit, most commonly a microcontroller (MCU). Implementing the PHY and MAC layers of the OSI model, the PLM-1 provides a way to efficiently modulate and demodulate data packets. It features collision detection, as well as automatic forward error correction and CRC-16 data integrity verification. For more information, you can read the AC-PLM User manual that it can be downloaded from [3&91;. After this brief introduction, I explain the tests with this Arduino Shield.</p><div><strong>TEST 1: MAMBAS CONNECTED DIRECTLY THEMSELVES</strong>&nbsp;</div>
<div>This test consists in sending messages from one PLC emitter to the PLC receiver. The received messages should not have any error. The PLCs are united by couples of wires which<strong> they have not an extra direct current,</strong> <strong>only the signal transmitted by the PLCs</strong>. The size of the message, the speed transmission, the loss packet rate and the length of the wires will change for watching the differences of loss packets in the transmissions. The Arduino are powered by the USB connected to the PC. The picture below shows the two Arduino connected directly.</div>
<div><p><img src="/product_images/uploaded_images/2.jpeg"></p><p>This test is for seeing the change of the quantity of loss packet with different baud rates. The transmission code is running always and the loops are separated by a delay of milliseconds. The baud rate will be faster if the delay is less. The codes of the two Arduino with the Mamba shield are provided at the end of this review. The Appendix1has the transmiter code and the Appendix 2 has the receceiver code.
</p><div>After a study of the code, I’ve reached to the conclusion that the maximum size of the data in a packet is 61 bytes. In each transmission the packet has 3 bytes of header and end of packet that they are configured by the protocol transmission of the Mamba Library. The total size of a packet in a transmission is 64 bytes. The structure of a packet is resumed below.</div>
</div><div><table><tbody><tr><td colspan="2"><strong>5 bits</strong>
</td>
<td><strong>1 byte (0-255)</strong>
</td>
<td><strong>61 bytes</strong>
</td>
<td><strong>4 bits (CRC16)</strong>
</td></tr></tbody></table>
<em>Table 1: Structure of a packet</em>.<br></div><div><p>The next tables show the relations among the loss packet rate with different delays, size of packet and length of the wires. I’ve selected these delays because they are the points where the loss packet changes in the communications. The Table 2 shows the results with wires of 30 cm and the second Table 3 with wires of 250 cm. The column of characters means the number of bytes of a message without header and end of packets. The size of packet has influence in the loss packet rate.</p><table><tbody><tr><td colspan="6"><strong>Mamba Shield connected by wires of 30cm</strong>
</td></tr>
<tr>
<td colspan="2"><strong>61 Characters (The maximum)</strong>
</td>
<td colspan="2"><strong>32 Characters</strong>
</td>
<td colspan="2"><strong>5 Characters</strong>
</td></tr>
<tr>
<td><strong>Delay (ms)</strong>
</td>
<td><strong>Loss packet rate (%)</strong>
</td>
<td><strong>Delay (ms)</strong>
</td>
<td><strong>Loss packe</strong><strong>t rate (%)</strong>
</td>
<td><strong>Delay (ms)</strong>
</td>
<td><strong>Loss packet rate (%)</strong>
</td></tr>
<tr>
<td>260
</td>
<td>0
</td>
<td>165
</td>
<td>0
</td>
<td>65
</td>
<td>0
</td></tr>
<tr>
<td>257
</td>
<td>10
</td>
<td>160
</td>
<td>10
</td>
<td>63
</td>
<td>25
</td></tr>
<tr>
<td>256
</td>
<td>20
</td>
<td>159
</td>
<td>25
</td>
<td>60
</td>
<td>33
</td></tr>
<tr>
<td>255
</td>
<td>33
</td>
<td>158
</td>
<td>33
</td>
<td>50
</td>
<td>50
</td></tr>
<tr>
<td>250
</td>
<td>50
</td>
<td>100
</td>
<td>50
</td>
<td>20
</td>
<td>72
</td></tr>
<tr>
<td>100
</td>
<td>60
</td>
<td>70
</td>
<td>60
</td>
<td>10
</td>
<td>85
</td></tr>
<tr>
<td>50
</td>
<td>82
</td>
<td>50
</td>
<td>75
</td>
<td>0
</td>
<td>96
</td></tr>
<tr>
<td>20
</td>
<td>92
</td>
<td>20
</td>
<td>88
</td>
</tr><tr>
<td>10
</td>
<td>98
</td>
<td>10
</td>
<td>93
</td>
</tr><tr>
<td>0
</td>
<td>99
</td>
<td>0
</td>
<td>99
</td></tr></tbody></table><p><em> Table 2: Relations among loss packets rate, delays and size of packets with wire of 30 cm.</em></p><p><em><br></em></p><p>The data of the Table 2 are plotted in the graph below:</p><p><img src="/product_images/uploaded_images/g1.png"></p><p>Now, the results of the same test with wires of 250 cm of length are in the Table 3.</p><table><tbody><tr><td colspan="6"><strong>Mamba Shields connected by wires of 250cm</strong>
</td></tr>
<tr>
<td colspan="2"><strong>61 Characters (The maximum)</strong>
</td>
<td colspan="2"><strong>32 Characters</strong>
</td>
<td colspan="2"><strong>5 Characters</strong>
</td></tr>
<tr>
<td><strong>Delay (ms)</strong>
</td>
<td><strong>Loss packet rate (%)</strong>
</td>
<td><strong>Delay (ms)</strong>
</td>
<td><strong>Loss packet </strong><strong>rate (%)</strong>
</td>
<td><strong>Delay (ms)</strong>
</td>
<td><strong>Loss packet rate (%)</strong>
</td></tr>
<tr>
<td>250
</td>
<td>0
</td>
<td>170
</td>
<td>0
</td>
<td>65
</td>
<td>0
</td></tr>
<tr>
<td>248
</td>
<td>12
</td>
<td>160
</td>
<td>10
</td>
<td>60
</td>
<td>10
</td></tr>
<tr>
<td>244
</td>
<td>33
</td>
<td>158
</td>
<td>33
</td>
<td>59
</td>
<td>25
</td></tr>
<tr>
<td>240
</td>
<td>50
</td>
<td>150
</td>
<td>50
</td>
<td>58
</td>
<td>33
</td></tr>
<tr>
<td>120
</td>
<td>60
</td>
<td>80
</td>
<td>54
</td>
<td>55
</td>
<td>50
</td></tr>
<tr>
<td>80
</td>
<td>75
</td>
<td>78
</td>
<td>60
</td>
<td>30
</td>
<td>55
</td></tr>
<tr>
<td>50
</td>
<td>80
</td>
<td>50
</td>
<td>75
</td>
<td>20
</td>
<td>69
</td></tr>
<tr>
<td>30
</td>
<td>89
</td>
<td>30
</td>
<td>84
</td>
<td>15
</td>
<td>76
</td></tr>
<tr>
<td>10
</td>
<td>95
</td>
<td>10
</td>
<td>87
</td>
<td>10
</td>
<td>84
</td></tr>
<tr>
<td>0
</td>
<td>99
</td>
<td>0
</td>
<td>99
</td>
<td>0
</td>
<td>99
</td></tr></tbody></table><p><br><em>Table 3: Relations among loss packets rate, delays and size of packets with wire of 250 cm.</em>&nbsp;</p><p>The data of the Table 3 are plotted in graph below:</p><p><img src="/product_images/uploaded_images/g2.png"></p><p>The picture of the second experiment with wires of 250cm is shown beneath.</p><p><img src="/product_images/uploaded_images/3.jpeg"></p><p>The conclusions of this test are these:<br><br>-The number of bytes in a packet transmitted has influence in the Speed Transmission Rate because with less number of bytes, the loss packet is less, hence, the delay in the transmitter code can be smaller. </p><p>-The length (short distances) of the wire has not influence in the Speed Transmission Rate because the loss packets are similar with wires of 30 cm and 250 cm.</p><p><strong>APPENDIX 1</strong></p><p><strong></strong><a href="https://linksprite.s3.amazonaws.com/Shields/mamba/mamba_arduino.zip">Example code:</a></p></div>]]></description>
			<content:encoded><![CDATA[<p><strong style="font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif; font-size: 15px; color: rgb(52, 49, 63);">ABSTRACT</strong></p><p>This document analyzes the Mamba shield for Arduino with several experiments of powerlines communications over DC lines and AC lines. Principally, I’ve tried to guess the baud rate that this product can reach without transmission errors.
<strong>INTRODUCTION</strong>
</p><p>Power line communications technology is a way of carrying data on a conductor that can also be used for power transmission. You can use it to pass a control signal through the electrical wiring in a house for home automation. LinkSprite's Mamba shield gives your Arduino this ability. This Narrowband Powerline Communication shield can be controlled by your Arduino board using a simple SPI interface. From these places you can download the electric schematic, the codes and a step-by-step guide. The board needs to supply at least 1 Amp to work correctly. One of his inconvenient is that it needs a lot of caution if you use the board with high voltage.&nbsp;</p><p>The main element of Mamba shield is the PLM-1 modem. That chip is the brain of the board. It is a fully digital data transceiver for powerline communications using Frequency-Shift Keying (FSK) and it is designed to be controlled from an external Central Processing Unit, most commonly a microcontroller (MCU). Implementing the PHY and MAC layers of the OSI model, the PLM-1 provides a way to efficiently modulate and demodulate data packets. It features collision detection, as well as automatic forward error correction and CRC-16 data integrity verification. For more information, you can read the AC-PLM User manual that it can be downloaded from [3&91;. After this brief introduction, I explain the tests with this Arduino Shield.</p><div><strong>TEST 1: MAMBAS CONNECTED DIRECTLY THEMSELVES</strong>&nbsp;</div>
<div>This test consists in sending messages from one PLC emitter to the PLC receiver. The received messages should not have any error. The PLCs are united by couples of wires which<strong> they have not an extra direct current,</strong> <strong>only the signal transmitted by the PLCs</strong>. The size of the message, the speed transmission, the loss packet rate and the length of the wires will change for watching the differences of loss packets in the transmissions. The Arduino are powered by the USB connected to the PC. The picture below shows the two Arduino connected directly.</div>
<div><p><img src="/product_images/uploaded_images/2.jpeg"></p><p>This test is for seeing the change of the quantity of loss packet with different baud rates. The transmission code is running always and the loops are separated by a delay of milliseconds. The baud rate will be faster if the delay is less. The codes of the two Arduino with the Mamba shield are provided at the end of this review. The Appendix1has the transmiter code and the Appendix 2 has the receceiver code.
</p><div>After a study of the code, I’ve reached to the conclusion that the maximum size of the data in a packet is 61 bytes. In each transmission the packet has 3 bytes of header and end of packet that they are configured by the protocol transmission of the Mamba Library. The total size of a packet in a transmission is 64 bytes. The structure of a packet is resumed below.</div>
</div><div><table><tbody><tr><td colspan="2"><strong>5 bits</strong>
</td>
<td><strong>1 byte (0-255)</strong>
</td>
<td><strong>61 bytes</strong>
</td>
<td><strong>4 bits (CRC16)</strong>
</td></tr></tbody></table>
<em>Table 1: Structure of a packet</em>.<br></div><div><p>The next tables show the relations among the loss packet rate with different delays, size of packet and length of the wires. I’ve selected these delays because they are the points where the loss packet changes in the communications. The Table 2 shows the results with wires of 30 cm and the second Table 3 with wires of 250 cm. The column of characters means the number of bytes of a message without header and end of packets. The size of packet has influence in the loss packet rate.</p><table><tbody><tr><td colspan="6"><strong>Mamba Shield connected by wires of 30cm</strong>
</td></tr>
<tr>
<td colspan="2"><strong>61 Characters (The maximum)</strong>
</td>
<td colspan="2"><strong>32 Characters</strong>
</td>
<td colspan="2"><strong>5 Characters</strong>
</td></tr>
<tr>
<td><strong>Delay (ms)</strong>
</td>
<td><strong>Loss packet rate (%)</strong>
</td>
<td><strong>Delay (ms)</strong>
</td>
<td><strong>Loss packe</strong><strong>t rate (%)</strong>
</td>
<td><strong>Delay (ms)</strong>
</td>
<td><strong>Loss packet rate (%)</strong>
</td></tr>
<tr>
<td>260
</td>
<td>0
</td>
<td>165
</td>
<td>0
</td>
<td>65
</td>
<td>0
</td></tr>
<tr>
<td>257
</td>
<td>10
</td>
<td>160
</td>
<td>10
</td>
<td>63
</td>
<td>25
</td></tr>
<tr>
<td>256
</td>
<td>20
</td>
<td>159
</td>
<td>25
</td>
<td>60
</td>
<td>33
</td></tr>
<tr>
<td>255
</td>
<td>33
</td>
<td>158
</td>
<td>33
</td>
<td>50
</td>
<td>50
</td></tr>
<tr>
<td>250
</td>
<td>50
</td>
<td>100
</td>
<td>50
</td>
<td>20
</td>
<td>72
</td></tr>
<tr>
<td>100
</td>
<td>60
</td>
<td>70
</td>
<td>60
</td>
<td>10
</td>
<td>85
</td></tr>
<tr>
<td>50
</td>
<td>82
</td>
<td>50
</td>
<td>75
</td>
<td>0
</td>
<td>96
</td></tr>
<tr>
<td>20
</td>
<td>92
</td>
<td>20
</td>
<td>88
</td>
</tr><tr>
<td>10
</td>
<td>98
</td>
<td>10
</td>
<td>93
</td>
</tr><tr>
<td>0
</td>
<td>99
</td>
<td>0
</td>
<td>99
</td></tr></tbody></table><p><em> Table 2: Relations among loss packets rate, delays and size of packets with wire of 30 cm.</em></p><p><em><br></em></p><p>The data of the Table 2 are plotted in the graph below:</p><p><img src="/product_images/uploaded_images/g1.png"></p><p>Now, the results of the same test with wires of 250 cm of length are in the Table 3.</p><table><tbody><tr><td colspan="6"><strong>Mamba Shields connected by wires of 250cm</strong>
</td></tr>
<tr>
<td colspan="2"><strong>61 Characters (The maximum)</strong>
</td>
<td colspan="2"><strong>32 Characters</strong>
</td>
<td colspan="2"><strong>5 Characters</strong>
</td></tr>
<tr>
<td><strong>Delay (ms)</strong>
</td>
<td><strong>Loss packet rate (%)</strong>
</td>
<td><strong>Delay (ms)</strong>
</td>
<td><strong>Loss packet </strong><strong>rate (%)</strong>
</td>
<td><strong>Delay (ms)</strong>
</td>
<td><strong>Loss packet rate (%)</strong>
</td></tr>
<tr>
<td>250
</td>
<td>0
</td>
<td>170
</td>
<td>0
</td>
<td>65
</td>
<td>0
</td></tr>
<tr>
<td>248
</td>
<td>12
</td>
<td>160
</td>
<td>10
</td>
<td>60
</td>
<td>10
</td></tr>
<tr>
<td>244
</td>
<td>33
</td>
<td>158
</td>
<td>33
</td>
<td>59
</td>
<td>25
</td></tr>
<tr>
<td>240
</td>
<td>50
</td>
<td>150
</td>
<td>50
</td>
<td>58
</td>
<td>33
</td></tr>
<tr>
<td>120
</td>
<td>60
</td>
<td>80
</td>
<td>54
</td>
<td>55
</td>
<td>50
</td></tr>
<tr>
<td>80
</td>
<td>75
</td>
<td>78
</td>
<td>60
</td>
<td>30
</td>
<td>55
</td></tr>
<tr>
<td>50
</td>
<td>80
</td>
<td>50
</td>
<td>75
</td>
<td>20
</td>
<td>69
</td></tr>
<tr>
<td>30
</td>
<td>89
</td>
<td>30
</td>
<td>84
</td>
<td>15
</td>
<td>76
</td></tr>
<tr>
<td>10
</td>
<td>95
</td>
<td>10
</td>
<td>87
</td>
<td>10
</td>
<td>84
</td></tr>
<tr>
<td>0
</td>
<td>99
</td>
<td>0
</td>
<td>99
</td>
<td>0
</td>
<td>99
</td></tr></tbody></table><p><br><em>Table 3: Relations among loss packets rate, delays and size of packets with wire of 250 cm.</em>&nbsp;</p><p>The data of the Table 3 are plotted in graph below:</p><p><img src="/product_images/uploaded_images/g2.png"></p><p>The picture of the second experiment with wires of 250cm is shown beneath.</p><p><img src="/product_images/uploaded_images/3.jpeg"></p><p>The conclusions of this test are these:<br><br>-The number of bytes in a packet transmitted has influence in the Speed Transmission Rate because with less number of bytes, the loss packet is less, hence, the delay in the transmitter code can be smaller. </p><p>-The length (short distances) of the wire has not influence in the Speed Transmission Rate because the loss packets are similar with wires of 30 cm and 250 cm.</p><p><strong>APPENDIX 1</strong></p><p><strong></strong><a href="https://linksprite.s3.amazonaws.com/Shields/mamba/mamba_arduino.zip">Example code:</a></p></div>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[How to Position Fresnel Ambient Light Rejection Screen ]]></title>
			<link>https://cutedigi.com/blog/how-to-position-fresnel-ambient-light-rejection-screen-/</link>
			<pubDate>Fri, 23 Dec 2022 10:58:14 +0000</pubDate>
			<guid isPermaLink="false">https://cutedigi.com/blog/how-to-position-fresnel-ambient-light-rejection-screen-/</guid>
			<description><![CDATA[<p>Fresnel ambient light rejection screen can reject ambient light and improve the contrast of the projection. However, it's critical to position the screen correct without to the projector. Otherwise, the effect will be discounted significantly.</p><p>Projector can be installed on the table or from the ceiling. So there are two ways to install them.</p><p>On the table or stand:</p><p><img src="/product_images/uploaded_images/screen-shot-2022-12-23-at-11.48.57-pm.png"></p><p><img src="/product_images/uploaded_images/screen-shot-2022-12-23-at-11.51.23-pm.png" style="width: 633px;"></p><p>Projector installed on ceiling:</p><p><img src="/product_images/uploaded_images/screen-shot-2022-12-23-at-11.53.33-pm.png" style="background-color: initial; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif; font-size: 15px; width: 680px;"></p><p><img src="/product_images/uploaded_images/screen-shot-2022-12-23-at-11.54.28-pm.png" style="width: 641px;"></p>]]></description>
			<content:encoded><![CDATA[<p>Fresnel ambient light rejection screen can reject ambient light and improve the contrast of the projection. However, it's critical to position the screen correct without to the projector. Otherwise, the effect will be discounted significantly.</p><p>Projector can be installed on the table or from the ceiling. So there are two ways to install them.</p><p>On the table or stand:</p><p><img src="/product_images/uploaded_images/screen-shot-2022-12-23-at-11.48.57-pm.png"></p><p><img src="/product_images/uploaded_images/screen-shot-2022-12-23-at-11.51.23-pm.png" style="width: 633px;"></p><p>Projector installed on ceiling:</p><p><img src="/product_images/uploaded_images/screen-shot-2022-12-23-at-11.53.33-pm.png" style="background-color: initial; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif; font-size: 15px; width: 680px;"></p><p><img src="/product_images/uploaded_images/screen-shot-2022-12-23-at-11.54.28-pm.png" style="width: 641px;"></p>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[3D Print Enclosure Files for LinkNode R4: Arduino-compatible WiFi relay controller]]></title>
			<link>https://cutedigi.com/blog/3d-print-enclosure-files-for-linknode-r4-arduinocompatible-wifi-relay-controller/</link>
			<pubDate>Tue, 06 Dec 2022 06:39:59 +0000</pubDate>
			<guid isPermaLink="false">https://cutedigi.com/blog/3d-print-enclosure-files-for-linknode-r4-arduinocompatible-wifi-relay-controller/</guid>
			<description><![CDATA[<p><img src="/product_images/uploaded_images/linknode-r4a.png"></p><p><img src="/product_images/uploaded_images/linknode-r4b.png"></p><p><img src="/product_images/uploaded_images/linknode-r4b1.png"></p><p>The STL files can be downloaded at:&nbsp;<a href="https://s3.amazonaws.com/cutedigi/linknode+r4/LinkNode+R4a.STL">1</a> and&nbsp;<a href="https://s3.amazonaws.com/cutedigi/linknode+r4/LinkNode+R4b.stl">2</a></p>]]></description>
			<content:encoded><![CDATA[<p><img src="/product_images/uploaded_images/linknode-r4a.png"></p><p><img src="/product_images/uploaded_images/linknode-r4b.png"></p><p><img src="/product_images/uploaded_images/linknode-r4b1.png"></p><p>The STL files can be downloaded at:&nbsp;<a href="https://s3.amazonaws.com/cutedigi/linknode+r4/LinkNode+R4a.STL">1</a> and&nbsp;<a href="https://s3.amazonaws.com/cutedigi/linknode+r4/LinkNode+R4b.stl">2</a></p>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Q&A for LinkSprite Doorbell Camera]]></title>
			<link>https://cutedigi.com/blog/qa-for-linksprite-doorbell-camera/</link>
			<pubDate>Fri, 02 Dec 2022 02:00:47 +0000</pubDate>
			<guid isPermaLink="false">https://cutedigi.com/blog/qa-for-linksprite-doorbell-camera/</guid>
			<description><![CDATA[<p><strong style="background-color: initial; color: rgb(52, 49, 63);">Q1:How to add the doorbell to the </strong><strong style="background-color: initial; color: rgb(52, 49, 63);">APP</strong><strong style="background-color: initial; color: rgb(52, 49, 63);">?</strong></p><p><strong style="background-color: initial; color: rgb(52, 49, 63);"></strong>A1: App download and configuration method: Search "LinkSprite" in the AppStore(iOS) or PlayStore(Android) and download the app.&nbsp;</p><p>Open the back cover of the doorbell, and there is a reset button inside. Press and hold  it for 5 seconds. There will be a voice prompt “Waiting for configuration”. Tap + on the upper right corner of the app and scan the QR code on the doorbell label. Enter your home Wi-Fi password when prompt and point the QR code generated on the<strong style="background-color: initial; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif; font-size: 15px; color: rgb(52, 49, 63);"> phone to </strong>the doorbell lens. When the doorbell prompt "Network configuration successful", the device will be added automatically into the App.</p><p><strong style="background-color: initial;"><br></strong></p><p><strong style="background-color: initial;">Q2: No sound from the host speaker when the doorbell button is pressed?</strong></p><p><strong style="background-color: initial;"><br></strong></p><p>A2:First check whether the power supply of the speaker is normal, press the 
<img src="https://kr2ubu2yby.feishu.cn/space/api/box/stream/download/asynccode/?code=YTJmMDdkYTZhZWY4NzY1NTQ0MzZhNmEyZTVhYjY0NTBfTkdnZVhNZ0pISVhTU3paU1Vqa2xxUnpmYlQ2ZzA2d1ZfVG9rZW46Ym94Y25jOUlhZDdtM2RxQ1BVSllxN25HQTNmXzE2Njk5Njc2NzU6MTY2OTk3MTI3NV9WNA" data-single-block="true" data-snapshot="eyJ0eXBlIjoiaW1hZ2UiLCJwYXJlbnRfaWQiOiJkb3hjbmlQd1NIQU8weko4NWE1MVJkU2trUWgiLCJjb21tZW50cyI6bnVsbCwibG9ja2VkIjpmYWxzZSwiaGlkZGVuIjpmYWxzZSwiYXV0aG9yIjoiNzE1MTk1OTQ5MTM4NTM5MzE4MCIsImFsaWduIjoibGVmdCIsImltYWdlIjp7InRva2VuIjoiYm94Y25jOUlhZDdtM2RxQ1BVSllxN25HQTNmIiwibWltZVR5cGUiOiJpbWFnZS9wbmciLCJzaXplIjoyNjMzLCJzY2FsZSI6Miwid2lkdGgiOjMyLCJoZWlnaHQiOjMyLCJuYW1lIjoiaW1hZ2UxLnBuZyJ9fQ==" data-suite="eyJmaWxlVG9rZW4iOiJib3hjbmM5SWFkN20zZHFDUFVKWXE3bkdBM2YiLCJvYmpUeXBlIjoiZG9jeCIsIm9ialRva2VuIjoiZG94Y25GQVEyeEFEcng2WGtQZGFEOWxjcHNoIiwib3JpZ2luU3JjIjoiaHR0cHM6Ly9pbnRlcm5hbC1hcGktZHJpdmUtc3RyZWFtLmZlaXNodS5jbi9zcGFjZS9hcGkvYm94L3N0cmVhbS9kb3dubG9hZC9wcmV2aWV3L2JveGNuYzlJYWQ3bTNkcUNQVUpZcTduR0EzZi8/cHJldmlld190eXBlPTE2In0=" data-src="https://internal-api-drive-stream.feishu.cn/space/api/box/stream/download/all/boxcnc9Iad7m3dqCPUJYq7nGA3f/?mount_node_token=doxcnFAQ2xADrx6XkPdaD9lcpsh&amp;mount_point=docx_image" data-width="32" data-height="32">
button on the indoor unit to check if there is sound from the speaker.&nbsp;</p><p>No Sound: Check whether the power supply is connected properly. Replace the socket and test again.&nbsp;</p><p>There is Sound: Which means the doorbell and the indoor unit are not paired, and it required to re-paired (Doorbell is already paired with the indoor unit by default when it leaves the factory)&nbsp;</p><p>Pairing: If you need to re-pair, press Pairing Button until you hear a “Beep” sound. Then press doorbell button within 15sec and the indoor unit will ring. Which means pairing is successful. Note: The distance between the doorbell and the indoor unit must be more than 1 meter.&nbsp;</p><p><strong style="background-color: initial;"><br></strong></p><p><strong style="background-color: initial;">Q3: Why does the doorbell always show offline status on the </strong><strong style="background-color: initial;">App</strong><strong style="background-color: initial;">?</strong></p><p>A3：When someone rings the doorbell or someone stays at your door, it will go online. When the device is online, you can check the real-time picture outside the door through the mobile app. It is usually offline, and you cannot view the real-time picture outside the door when the doorbell are offline.&nbsp;</p><p><strong style="background-color: initial;"><br></strong></p><p><strong style="background-color: initial;">Q4：How is the doorbell powered?</strong></p><p>A4：Doorbell host should be connected to 24V AC or 12V DC power supply (Regardless of polarity), connected to the terminal on the circuit board behind the doorbell. Or modified to use 4 AA batteries according to the description on the last page of the manual. The indoor units should be plugged into power sockets for use.&nbsp;</p><p><strong style="background-color: initial;"><br></strong></p><p><strong style="background-color: initial;">Q5：Failed to connect the doorbell to Wi-Fi?</strong></p><p>Try to keep the doorbell within 30 meters of the Wi-Fi router, and there should be less than 2 walls in between.
If the distance is less, it may be caused by the frequency of the router. The doorbell only supports 2.4GHz Wi-Fi. Please select 2.4GHz Wi-Fi for networking. If your Wi-Fi have the same name for both 2.4GHz and 5GHz, please change it to a different  SSID for networking.&nbsp;</p><p><strong style="background-color: initial;"><br></strong></p><p><strong style="background-color: initial;">Q6：Does the doorbell need to install a memory card?</strong></p><p>A6：Our doorbell does not require you to buy a memory card. We provide 2 days of life time free alarm video cloud storage. Stored on the Amazon cloud service in the United States.&nbsp;</p><p><strong style="background-color: initial;">Q7：What is the standby time of the doorbell when batteries are installed?</strong></p><p>A7：The standby time is based on the frequency of your use and the standby time will vary. If there are less than 20 visitors per day with normal frequency of use, it will last for 1 month.&nbsp;</p>]]></description>
			<content:encoded><![CDATA[<p><strong style="background-color: initial; color: rgb(52, 49, 63);">Q1:How to add the doorbell to the </strong><strong style="background-color: initial; color: rgb(52, 49, 63);">APP</strong><strong style="background-color: initial; color: rgb(52, 49, 63);">?</strong></p><p><strong style="background-color: initial; color: rgb(52, 49, 63);"></strong>A1: App download and configuration method: Search "LinkSprite" in the AppStore(iOS) or PlayStore(Android) and download the app.&nbsp;</p><p>Open the back cover of the doorbell, and there is a reset button inside. Press and hold  it for 5 seconds. There will be a voice prompt “Waiting for configuration”. Tap + on the upper right corner of the app and scan the QR code on the doorbell label. Enter your home Wi-Fi password when prompt and point the QR code generated on the<strong style="background-color: initial; font-family: Arial, Helvetica, Verdana, Tahoma, sans-serif; font-size: 15px; color: rgb(52, 49, 63);"> phone to </strong>the doorbell lens. When the doorbell prompt "Network configuration successful", the device will be added automatically into the App.</p><p><strong style="background-color: initial;"><br></strong></p><p><strong style="background-color: initial;">Q2: No sound from the host speaker when the doorbell button is pressed?</strong></p><p><strong style="background-color: initial;"><br></strong></p><p>A2:First check whether the power supply of the speaker is normal, press the 
<img src="https://kr2ubu2yby.feishu.cn/space/api/box/stream/download/asynccode/?code=YTJmMDdkYTZhZWY4NzY1NTQ0MzZhNmEyZTVhYjY0NTBfTkdnZVhNZ0pISVhTU3paU1Vqa2xxUnpmYlQ2ZzA2d1ZfVG9rZW46Ym94Y25jOUlhZDdtM2RxQ1BVSllxN25HQTNmXzE2Njk5Njc2NzU6MTY2OTk3MTI3NV9WNA" data-single-block="true" data-snapshot="eyJ0eXBlIjoiaW1hZ2UiLCJwYXJlbnRfaWQiOiJkb3hjbmlQd1NIQU8weko4NWE1MVJkU2trUWgiLCJjb21tZW50cyI6bnVsbCwibG9ja2VkIjpmYWxzZSwiaGlkZGVuIjpmYWxzZSwiYXV0aG9yIjoiNzE1MTk1OTQ5MTM4NTM5MzE4MCIsImFsaWduIjoibGVmdCIsImltYWdlIjp7InRva2VuIjoiYm94Y25jOUlhZDdtM2RxQ1BVSllxN25HQTNmIiwibWltZVR5cGUiOiJpbWFnZS9wbmciLCJzaXplIjoyNjMzLCJzY2FsZSI6Miwid2lkdGgiOjMyLCJoZWlnaHQiOjMyLCJuYW1lIjoiaW1hZ2UxLnBuZyJ9fQ==" data-suite="eyJmaWxlVG9rZW4iOiJib3hjbmM5SWFkN20zZHFDUFVKWXE3bkdBM2YiLCJvYmpUeXBlIjoiZG9jeCIsIm9ialRva2VuIjoiZG94Y25GQVEyeEFEcng2WGtQZGFEOWxjcHNoIiwib3JpZ2luU3JjIjoiaHR0cHM6Ly9pbnRlcm5hbC1hcGktZHJpdmUtc3RyZWFtLmZlaXNodS5jbi9zcGFjZS9hcGkvYm94L3N0cmVhbS9kb3dubG9hZC9wcmV2aWV3L2JveGNuYzlJYWQ3bTNkcUNQVUpZcTduR0EzZi8/cHJldmlld190eXBlPTE2In0=" data-src="https://internal-api-drive-stream.feishu.cn/space/api/box/stream/download/all/boxcnc9Iad7m3dqCPUJYq7nGA3f/?mount_node_token=doxcnFAQ2xADrx6XkPdaD9lcpsh&amp;mount_point=docx_image" data-width="32" data-height="32">
button on the indoor unit to check if there is sound from the speaker.&nbsp;</p><p>No Sound: Check whether the power supply is connected properly. Replace the socket and test again.&nbsp;</p><p>There is Sound: Which means the doorbell and the indoor unit are not paired, and it required to re-paired (Doorbell is already paired with the indoor unit by default when it leaves the factory)&nbsp;</p><p>Pairing: If you need to re-pair, press Pairing Button until you hear a “Beep” sound. Then press doorbell button within 15sec and the indoor unit will ring. Which means pairing is successful. Note: The distance between the doorbell and the indoor unit must be more than 1 meter.&nbsp;</p><p><strong style="background-color: initial;"><br></strong></p><p><strong style="background-color: initial;">Q3: Why does the doorbell always show offline status on the </strong><strong style="background-color: initial;">App</strong><strong style="background-color: initial;">?</strong></p><p>A3：When someone rings the doorbell or someone stays at your door, it will go online. When the device is online, you can check the real-time picture outside the door through the mobile app. It is usually offline, and you cannot view the real-time picture outside the door when the doorbell are offline.&nbsp;</p><p><strong style="background-color: initial;"><br></strong></p><p><strong style="background-color: initial;">Q4：How is the doorbell powered?</strong></p><p>A4：Doorbell host should be connected to 24V AC or 12V DC power supply (Regardless of polarity), connected to the terminal on the circuit board behind the doorbell. Or modified to use 4 AA batteries according to the description on the last page of the manual. The indoor units should be plugged into power sockets for use.&nbsp;</p><p><strong style="background-color: initial;"><br></strong></p><p><strong style="background-color: initial;">Q5：Failed to connect the doorbell to Wi-Fi?</strong></p><p>Try to keep the doorbell within 30 meters of the Wi-Fi router, and there should be less than 2 walls in between.
If the distance is less, it may be caused by the frequency of the router. The doorbell only supports 2.4GHz Wi-Fi. Please select 2.4GHz Wi-Fi for networking. If your Wi-Fi have the same name for both 2.4GHz and 5GHz, please change it to a different  SSID for networking.&nbsp;</p><p><strong style="background-color: initial;"><br></strong></p><p><strong style="background-color: initial;">Q6：Does the doorbell need to install a memory card?</strong></p><p>A6：Our doorbell does not require you to buy a memory card. We provide 2 days of life time free alarm video cloud storage. Stored on the Amazon cloud service in the United States.&nbsp;</p><p><strong style="background-color: initial;">Q7：What is the standby time of the doorbell when batteries are installed?</strong></p><p>A7：The standby time is based on the frequency of your use and the standby time will vary. If there are less than 20 visitors per day with normal frequency of use, it will last for 1 month.&nbsp;</p>]]></content:encoded>
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